Re: [Harp-L] # draw in 3rd
- To: Jason R <jason@xxxxxxxxxxxxxx>, harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] # draw in 3rd
- From: Mojo Red <harplicks@xxxxxxxxx>
- Date: Tue, 16 Aug 2005 06:40:53 -0700 (PDT)
- Cc:
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- In-reply-to: <200508160111.j7G1BT7G003890@harp-l.org>
Sound advice, Mr Ricci, as usual. :-)
I totally enjoy 3rd position and use it for both
minor and major keyed blues numbers. I find it
especially tastey to use 3rd in jump style West
Coast blues.
See you in KC!!
Harpin' in Colorado,
--Ken M.
--- Jason R <jason@xxxxxxxxxxxxxx> wrote:
> Dear Jim
> If you want to use the 3 draw in
> 3rd pos. outside of the pure
> Dorian mode approach treat it the same way you
> would treat the 2 blow, 5
> blow or 8 blow in cross harp it is the major
> sixth note. You have heard it
> in cross in virtually every song ever played by
> any one so why would you
> avoid it in another position? Some instructors
> may initially and rightfully
> steer you away from the 3 draw in 3rd pos.
> initially but every one who
> figures out this position will want this note
> pretty soon afterwards
> especially for a major key song. And remember in
> third position on a blues
> tune when the band/accompanist switches to the
> four any cross harp licks
> will work. you can hear cotton and Little Walter
> and everyone else take
> advantage of this all the time.
> If you want the 3 draw in a pure Dorian sense
> do like I said in my first
> post.
> Hope it helps
> Jason
>
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