Re: [Harp-L] Re: Low Z mics - Transformers



When Shure and some other companies started making dual impedence mics you
didn't need to do anything but buy the right cord. If you wanted to use it
low z you bought a cord that had the pins active for low z use. If you
wanted to use it hi z you bought a cord that made the hi z wiring active.

Rather then screwing with the wiring of vintage mics its best to find the
pins (3-4 pin models) that corrospond to the impedence you want to use then
wire your cable to match.

Back when I use to modify 545 mics for customers I would test the female
inputs for hi z use then wire the cable or 1/4 inch connector accordingly.

mike

on 4/4/05 9:18 AM, M. N. at mnessmith@xxxxxxxxxxx wrote:

> 'Moandabluz' Webb wrote:
> I have an old low impedance Shure 545 that I use with an adaptor into the PA
> or into an amp. It seems to work well both ways and actually sounds pretty
> cool through the PA."
> 
> ====================================
> 
> I've had a number of mics in the 545 family and have found that, for running
> them INTO AN AMP, no impedance converter will sound as good as just
> re-wiring the mic to be hi-z (these mics are convertible). Still, for
> someone like Steve who also uses his 545 into the PA, keeping it lo-z and
> using a converter when blowing into an amp is a good option. Go with a good
> Shure converter - I upgraded to a Shure from some old crappy one I bought
> years ago at Mars Music and was really impressed by the difference.
> MN
> 
> 
> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org
> Harp-L@xxxxxxxxxx
> http://harp-l.org/mailman/listinfo/harp-l





This archive was generated by a fusion of Pipermail 0.09 (Mailman edition) and MHonArc 2.6.8.