[Harp-L] Overblows
Jerome P.
jersimuse@xxxxx
Wed Nov 14 11:39:45 EST 2018
Hi Rick,
I do use only a harmonica in C, for my concerts as well as for my albums.
It's not a "psycho-regidity" of mine, I find it very interesting to use the
opportunity of having a transposing instrument.
But over the years, I now find it easier for me to improvize on a single
harp.
For 3 reasons :
1. I hear each single note on it before playing it, which is not the case
when you change harp regularly
2. I know exactly how it reacts so I am more in control for each note &
each lick
3. The only reason to change harp for me would be if something is much
easier on another tonality but this is much more rare than one think
Concerning recordings, my album Somewhere on the Edge of Time, is fully
played with a harmonica in C.
All the tunes are in different keys & they modulate several times each, so
all 12 keys have been played, for sure.
I've also recorded a CD for a saxophonist (Antonio Valdes), with a
harmonica in C (and I can tell you Antonio doesn't care about which
harmonica I use, he only cares about what he hears from me, and he is
especially focused on pitch precision).
If I may be a bit opportunist, you'll find these albums on my web site & on
iTunes.
You'll also find some examples of different key working sessions or tunes
on my youtube channel : www.youtube.com/JersiMuse
You should also listen to guys like David Herzhaft & Sebastien Charlier,
who also play mostly (exclusively ?) on a C harmonica.
Best regards,
Jerome
www.jeromepeyrelevade.com
Le mer. 14 nov. 2018 à 00:12, Michael Rubin <michaelrubinharmonica at xxxxx>
a écrit :
> I overblow and find certain positions great for certain scales.
>
> I find G harps and lower and Db harps and higher pretty much terrible for
> overblows.
>
> I love playing in my car with one harp. Depending on the band I will play
> all 12 positions in performance.
>
> I have very few recordins with loads of overblows but many with a few.
>
> I tend to record in first through 4th position.
>
> I find the original non customized sub 30 to play terribly but the idea is
> great.
>
> Michael Rubin
>
> On Tue, Nov 13, 2018 at 5:00 PM Rick Dempster <rickdempster33 at xxxxx>
> wrote:
>
> > I'd be very interested to hear from committed overblowers as to whether
> > they use only one harp, in twelve keys, or if differnt keyed harps are
> > still used.
> > It would be also interesting to know just how many examples of different
> > keys/positions people have recorded.
> > When Howard Levy was here in Oz a few years back, I recall him citing and
> > demonstrating a tune that suited B on the C diatonic. I don't think it
> was
> > a tune I was familiar with.
> > In my experience, the C harp is the most useful for OBs. Much higher
> starts
> > getting pretty hairy, esopecially on overdraws; and much lower, the
> reverse
> > applies - try overblowing hole one on a G harp. All this just my own
> > experience of around forty years of 'overblowing'. I have lately
> abandoned
> > the technique as much as possible, much preferring the tone of
> > (over-valved) Sub30s, about which I hear no discussion at all. I see
> > Christelle Brereton enthusing over them, however.
> > RD
> >
>
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