[Harp-L] we're here for a good time-trooper
Michael Rubin
michaelrubinharmonica@xxxxx
Wed Jul 26 12:00:40 EDT 2017
I played harp for a month, figured out how to play a single note and got
out my mom's piano books. I knew the songs and picked them out by ear. I
realized every time I played 6 draw, the note was there on the staff. The
books were luckily in the key of C. I taught myself the location of the
notes without knowing the names of the notes. I spent a year reading music
for 3 hours a day. I knew nothing about timing nor sharps and flats, so
some songs sounded funny.
I was in a band a year later. My bandmate, who was 15 years old, told me
to get a chromatic harp because all pro harp players must play them.
I started college a bit early, at 17 years old. There was a week of
acclimation before classes started. I wasn't a music major, but I went to
the jazz improv teacher and asked if I could take his class on the chrome.
He asked if I knew the 12 major scales. I had never heard of the 12 major
scales. I lied and said yes. He agreed to let me take the class.
That morning I met a guy in the dorms who played piano. He wrote out the
12 major scales for me. I memorized them by the following week. By this
point I had figured out how to read sharps and flats.
I used my ear to read the timing of the melodies.
Fast forward 10 years. I got the call to audition for the orchestra pit of
a Broadway play. I played very well in my audition. They had me read
music. Afterwards, the auditioner said, "You can read music?" I lied and
said yes. He asked again, "You can read music?" I lied and said yes.
It was not actually a lie, I CAN read music, I just hadn't learned to YET.
I got the gig.
I took two lessons from two different instructors. The gig started
rehearsals in 2 weeks. While I quit my job, got rid of my apartment, put
my stuff in storage, etc, I also practiced reading music around 8 hours a
day and continued a couple of hours a day throughout the year of that gig.
Someone hipped me to Louis Bellson and that really upped my game.
I have a belief that if I could learn to read only by intervals, it would
improve my ability by a lot, but I haven't put the time in.
Michael Rubin
michaelrubinharmonica.com
On Wed, Jul 26, 2017 at 10:18 AM, Richard Hunter <rhunter377 at xxxxx>
wrote:
> I learned to read--barely--as a piano student in my single-digit years. I
> didn't become proficient at sight-reading until I was in college, where the
> ability to sight-read a piano score at a certain level of proficiency was
> mandatory. I spent a half hour or so almost every day of my freshman year
> practicing sight-reading, with the guidance of a tutor assigned by the
> music department (which I think was pretty nice of them given that I wasn't
> yet accepted as a music major, and had already made it clear that I was
> much more interested in jazz/rock/funk than classical).
>
> I've never regretted that investment of time. It opened a lot of
> opportunities for me; among other things, for a while I was more or less
> the only harmonica player in Boston who could read well enough on diatonic
> and chromatic not to screw up a jingle session with 5 other people
> playing. Reading made it possible for me to read and write transcriptions
> of solos, which helped me tremendously in learning how those solos were
> constructed. When someone says "just figure it out by ear", I wonder: how
> do you think I made the transcriptions? A transcription is nothing more
> than a visual representation of what you heard. I'm no longer surprised
> when I find, by checking a transcription, that my memory of a solo is
> inaccurate. Memories shift and fade; a transcription doesn't change.
>
> Like I said before, if you don't need to read to play the music you want
> to play, fine by me. Go forth and prosper. if you've got a lot of
> curiosity about the wide world of music, and you want to accelerate your
> learning, reading helps.
>
> I'm still not a great reader. I read an interview with one of Jeff Beck's
> keyboard players where he said he did a session with the London
> Philharmonic where he had to read a score that was roughly as complex as a
> Prokofiev concerto. (He went outside and threw up afterwards.) I'll never
> be that competent where reading is concerned. But I don't need to be.
> Figure out what your ambition is, and prepare accordingly.
>
> Thansk, RH
>
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