[Harp-L] A Learning Opportunity at the Open Blues Jam

[Owen Evans]

Lizzie,
Just a silly question as I once got caught like this too. Did you have a DI box for the mic? I purchased a DI box and I’ve carried it in my gig bag ever since. It helps the PA deal with our hot mics used for harps and if there is a sound person, it allows them to get your level correct quickly.
Hope this is useful,
Owen

> On Jul 20, 2017, at 10:48 PM, The Iceman via Harp-L <harp-l at xxxxx> wrote:
> 
> Forget worrying about your mic/gear/cords, etc...control your own destiny.
> 
> 
> 
> 
> <<I plan to politely explain to the vocalist that if the harp can’t go any louder (without feedback), then I need the band to be softer, and  *politely*  ask the vocalist to please signal the band to bring the volume down during my turn to solo.>>
> 
> Here is where you have given up your rights as a soloist....
> 
> 
> The band should defer to the soloist just as much as they defer to the vocalist. In a sense, the vocalist is just soloing with her voice.
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> 
> So, when it is your turn to solo, you have the right to insist that the band defer to you. You signal the band to bring the volume down right there in real time. When given the nod to solo, you step forward. There is no rule that says you must immediately start your solo on the first beat of that first measure...so, if the volume is too loud, you can turn to the band, get some eye contact going and give the universal sign to bring down the volume - raise your outstretched arm (with elbow slightly bent) to shoulder level and lower it as you slightly bend at the knees. Then, merely wait for the form to go by (12 bars) and you can begin your solo at the top if you like.
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> Of course, it helps if you have self confidence and personal power going for you - and you had better play a pretty good solo after commanding the stage like this.
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> 
> -----Original Message-----
> From: Tin Lizzie <TrackHarpL at xxxxx>
> To: Harp-l <harp-l at xxxxx>
> Sent: Thu, Jul 20, 2017 5:35 pm
> Subject: [Harp-L] A Learning Opportunity at the Open Blues Jam
> 
> This post is for players who are new(-ish) to the open blues jam scene.  (And this post is not for players who front or are in a band and/or have the benefit of lots of amplification gear and time for extended sound checks before the real music begins.)
> 
> Last night I went to my local blues jam.  I plug my mic straight into the PA (with the host band’s permission), because speed of set-up and take-down is highly valued:  Plug in, play, unplug, sit down.
> 
> For whatever reason, last night I couldn’t get much volume at all without huge feedback shrieks, and the rather-full-of-herself vocalist glared at me, said, “I think that’s you," and asked me to turn it down, which I took to mean, “Please stop trying to get more volume without all that nasty feedback.”  I’ve been doing this long enough to know that sometimes it’s best to just resign myself to being a contender for the “Good Sportsmanship” award.  So, I did.  This time.
> 
> The vocalist did give me the nod to take a couple of solo choruses, but I could barely hear myself play, and knew full well that neither of my two fans in the bar couldn’t hear me play, either.  By the third song of the 3-song set, I gave up and opted not to take solo at all.  (Note, newbies, when you do that, be a good sport and stay up on stage, look around, smile, bop to the music, be a part of the band even if you aren’t adding to the overall noise level.)
> 
> It was frustrating.  Not the end of the earth, there will be other chances, BUT:  Next time this happens, I plan to politely explain to the vocalist that if the harp can’t go any louder (without feedback), then I need the band to be softer, and  *politely*  ask the vocalist to please signal the band to bring the volume down during my turn to solo.  The rest of the time, well, I’m content to “be the one they want to hear more of.”  And, of course, never play while the vocalist is singing.
> 
> Cheers,
> Tin Lizzie
> 
> 
> 

Owen P. Evans
25 Hexham Road
Ottawa, Ontario. K2H5L3
613-829-9139

owenpevans at xxxxx







The harmonica is the most voice-like instrument. 
You can make it wail,  feel happy or cry. 
It’s like singing the blues without words!

Charlie Musselwhite