[Harp-L] The results of the "cupping back" challenge by David Pearce
Joseph Leone
3n037@xxxxx
Wed Aug 2 17:39:05 EDT 2017
I have a question. Who started the idea of: ‘as much harp in the mouth as possible’. Any takers?
sm0joe
> On Aug 2, 2017, at 4:03 PM, Greg Heumann <greg at xxxxx> wrote:
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> Outstanding response from Vern! Because… Physics! I would add one other bit of info to the discussion. As a rule, I’ve found harp players underestimate the amount of sound that comes out the FRONT of the harmonica. If you don’t believe it, try completely sealing the rear of your harp with a piece of masking tape. Good cupping involves using hands and face, as well as an “as much harp in the mouth as possible” embouchure. I couldn’t come CLOSE to doing this on a chromatic, but the more you can do the better. On a diatonic, it makes the difference between underwhelming “wah" effects and great big “WAH" ones. This is true whether playing acoustic or amplified.
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> /Greg
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> http://blowsmeaway.com
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> "You’re going to like the way you sound. I guarantee it."
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> When responding to this email, please include the copy of our previous conversations.
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>> There are two acoustic effects that prevent shape changes from affecting the perceptible volume of a harmonica.
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>> Diffraction says that sound emanates from openings of less than a wavelength in a spherical wavefront pretty much equal in all directions. There is no dimension of a harmonica that approaches the wavelength of sounds in the instrument?s range. Therefore, the shapes of covers have no directional influence.
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>> The response of the human ear is logarithmic. The sound power must increase by about 100% or decrease by about 50% before you notice a difference. There is a story that may or may not be true about the young engineer who promised to redesign the exit nozzle of a jet engine to reduce the sound power by 50%. He succeeded but his boss couldn?t notice the improvement and fired him.
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>> Try closing a door with sound on the other side. You will notice that there isn?t much difference between the door barely cracked open and standing completely open. There is a big difference in completely closed and barely cracked open.
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>> In harmonicas, the biggest sound change occurs between completely closed and a barely open hand cup. The change between barely and completely open is much less.
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>> Vern
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