[Harp-L] The "newest" Stradivarius of Harmonicas!

[fmajor7]

IMHO the desire and the reasons to create a "better" sounding diatonic harp
or a chromatic harmonica are very different. This had been going on for
many years. Since I am a chromatic player it would be silly for me to make
any comments on the diatonic harmonicas.
Tommy Reilly, the brilliant soloist designed the "Silver Concerto" back in
the '60s. I believe it is still manufactured by Hohner. A couple of sites
are displaying prices as £4339 or ~$10000.
http://us.playhohner.com/instruments/harmonicas/chromatic/chromatic-professional/silver-concerto/
Another version of this Silver harmonica is made in Norway by Georg
Pollestad and used by another famous student of Tommy - Sigmund Groven of
Norway and many others.
http://www.polle.no/munnspi3.html

Later one of Tommy's very successful and talented students Douglas Tate
(ex-SPAH president) designed another amazing Chromatic "Renaissance"
currently being manufactured by Seydel.
http://www.seydel1847.de/epages/Seydel1847.sf/en_US/?ObjectPath=/Shops/Seydel/Products/00001
Besides all these amazing harmonicas we had the CBH 2012 and CBH 2016 -
designed by another brilliant Chromatic player Cham ber Huang. Hohner built
them for many years but have now disconinued. Fortunately they still make
the reed plates which keeps the brilliant classical harmonica player Robert
Bonfiglio happy since he still plays exclusively the CBH 2016.
Last but not least - Franz Chmel of Austria an amazingly talented classical
player wasn't happy using Hohner's 64 or any other manufacturers harmonicas
- so he built his own - It is called NC64.
http://www.chmel.at/nc64/specification.html
Listen to Franz playing some Paganini at :
https://www.youtube.com/watch?v=dEevfUAn-80&list=RDdEevfUAn-80#t=33

Over the years we also had Larry Adler model (Hohner), Toots Mellow Tone
and Hard Bopper from Hohner and of course quite upmarket models from Suzuki
like Gregoire Maret Signature model (~$1000) or Fabulous (~$4800/$5000).

I have no idea if they improve the tone or the performance. All I can say
is that whenever I listen to Toots Thielemans playing a standard Hohner 270
it just blows my mind. So much expression, so much feeling and so smooth.
I have also met and talked to Hendrik Muerkens (US) and Hermine Deurloo(NL)
- two very well-known jazz players and both of them swear by their wooden
bodied Hohner 270.

So, is it the special reed plate or the reeds or the body or the material
etc or is it the person who is playing the instrument which brings it alive.

Personally I have used only the Hering 3-octave and the 4-octave all these
years and I am more than happy. I hope I can still get them though in
future.

Gautam Choudhury

On Mon, May 9, 2016 at 10:51 AM, Rick Dempster <rickdempster33 at gmail.com>
wrote:

> Crikey! The old comb debate...after all these years. I'm with Vern,
> personally, but beside that,
> seeing 90-odd percent of harp players I come across all put the dear
> innocent little instrument
> through diverse, devilish engines of distortion and general aural torture,
> I can't see that it matters a hoot
> (or a honk) in the final, usually deafening, outcome.
> RD
>
> On 9 May 2016 at 13:53, Vern <jevern at fea.net> wrote:
>
> > If gamblers paid any attention to the odds, they would not bet in a a
> > casino, at the track, or in a lottery.
> > >
> > > …………...But gamblers DO think they know the outcome. They're called
> > odds………..
> > >  J. LeOne
> >
> >
> >
> >
>