[Harp-L] Re: Lee Oskar Reed Plates
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] Re: Lee Oskar Reed Plates
- From: BluzeHarp@xxxxxxx
- Date: Mon, 11 Jan 2016 16:50:57 -0500
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Starting in the middle flattens the reed plate onto the comb as you work
your way outward. Starting on opposite ends and then working inward can
create a 'bubble' or 'wrinkle' on the reed plate which can cause sealing,
warping, cracking or centering issues.
Start from the center of the harp and then work your way out, alternating
from one side to the other in a crisscross pattern, same process as
tightening a cylinder head onto an engine block. Two stages for each fastener is
usually sufficient, but you might try using three progressively tighter
stages if you're having trouble getting things to properly seal. Be careful
with how much torque you apply, over tightening can distort the plate and/or
comb.
Christopher Richards - Harmonica Planet.com
In a message dated 1/6/2016 1:54:49 P.M. Mountain Standard Time,
harp-l-request@xxxxxxxxxx writes:
And yes, you are very correct when advising to send the screws home in a
progressive pattern. This is common practice when fitting access panels
which have a plethora of screws.
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