[Harp-L] harp and sax on stage - how to share the sandbox?
- To: "harp-l@xxxxxxxxxx" <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] harp and sax on stage - how to share the sandbox?
- From: Robert Hale <robert@xxxxxxxxxxxxxx>
- Date: Wed, 16 Sep 2015 10:37:23 -0700
- Dkim-signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:sender:date:message-id:subject:from:to:content-type; bh=RELl9JBt77otRxpVg+isVWtQzSoZVl5e35R3QitHmSw=; b=AnwLyak4ItI9emTjasRv3e8VN+2lwKhiB/ITgtKDiFJ6cZnR/jINh8ZLBUatok9ZaG 19Mqp5Wl5y4Cj9APUNNfnXxQktNR8bOhaq8BGgIDo9nXOeRGU3MZwqbd05m7Vp7haIim jzj/nqhEJsgL/MMbBIKQqaC/khng8tb2+HKXimn6gTRbBH0kgZAqJyO/2ozc8X6scNBT 9s1ovHGjrHBNgBXanHqlKIP9VNpp6uzh9NL26V28AaPAddBgr0Z3fxkW1t3Zjkeu/NpM Uh7m+uUMbOuNkZ9T+2tfz3jXRiN4yhC2hulPueBX0bmB9GH6K452C/+eZwyRBuq6Nv2e Z4Qw==
- Sender: ynfdwas@xxxxxxxxx
How do you cooperate with horn players at a jam?
1) take turns with solos (easiest and most obvious)
2) harmonize in thirds on the fly (depends on ears)
3) Call/Response with each other
4) trade fours (round robin)
5) be willing to lay out
I seem to have more success with guitars and keys, than with horns.
Most seem to be on their own path, linear, free-form, and not as much
connected to the tune and groove.
What's different? How can I encourage it on stage?
Serious Honkage in Arizona
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and