[Harp-L] Re: Practice (Bored with Blues)
 
- To: harp-l@xxxxxxxxxx
 
- Subject: [Harp-L] Re: Practice (Bored with Blues)
 
- From: Richard Hunter <turtlehill@xxxxxxxxxxxxx>
 
- Date: Thu, 14 May 2015 22:25:56 -0400 (GMT-04:00)
 
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=dk20050327; d=earthlink.net;	b=fI0nvJCVT2JiJZfhfX8KUkO50UOleVwtcmfHAQlwWUgtFNBA89/NcH7DUChB54Ju;	h=Message-ID:Date:From:Reply-To:To:Subject:Mime-Version:Content-Type:Content-Transfer-Encoding:X-Mailer:X-ELNK-Trace:X-Originating-IP;
 
- Reply-to: Richard Hunter <turtlehill@xxxxxxxxxxxxx>
 
"Steve Power" wrote:
<...the best advice on practising I ever hear reputedly was 
<said by Merle Travis in regards to guitar. "The question to ask yourself is 
<not how many hours you practiced playing the guitar but when was the last 
<time you picked it up."
...
<Certainly blocks of x amount of time are required to learn a riff or a whole 
<piece of music or whatever but beyond that if you pick up the instument for 
<only 2 or 3 minutes but it happens multiple times a day every day, what do 
<you think will happen?
I've done practicing both ways.  It's easy to find multiple opportunities per day to play the harp if you carry one with you wherever you go.  I find that it's very convenient for learning new tunings, and I make a point of changing the harp I carry around to a different tuning (and perhaps key, so I can experience the high and low ends of the frequency spectrum) every month or so.  But carrying a harp everywhere is the main thing, because brief opportunities to play appear throughout the day, and if you have a harp you can take advantage of those opportunities.
When I was practicing the pieces that were planned for my first CD, "The Act of Being Free in One Act," I practiced for 1-2 hours every day. I recorded every practice session, and I listened to the entire recording before the next practice session.  That was a very effective approach for me, and it led directly to the composition of my piece "Rock Harp," which emerged from a pattern I was playing for technically-oriented practice on a natural minor harp.  When I heard the recording of that practice session, I heard a very straight rhythmic pattern shift slightly and become something much more interesting.  Wouldn't have remembered it if I hadn't recorded it.
However you practice, I do reocommend recording yourself.  Even a lo-fi recording on a cassette can tell you a lot.  
Regards, Richard Hunter
 
     
     This archive was generated by a fusion of 
     Pipermail 0.09 (Mailman edition) and 
     MHonArc 2.6.8.