Re: [Harp-L] Whiskey Before Breakfast - Rack Harp
- To: "harp-l@xxxxxxxxxx" <harp-l@xxxxxxxxxx>
- Subject: Re: [Harp-L] Whiskey Before Breakfast - Rack Harp
- From: Gary Lehmann <gnarlyheman@xxxxxxxxx>
- Date: Wed, 25 Mar 2015 07:29:33 -0700
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- In-reply-to: <5512172E.1040504@tektel.com.au>
- References: <5512172E.1040504@tektel.com.au>
I make good use of Tony's tuning on these kinds of tunes, basically he
raised the notes on hole one and two of a Melody Maker so that there are no
missing major scale notes--the blow chord then becomes a V7, and the draw
chord extends the tonic chord down to the relative minor.
So a C Richter becomes a G Melody Maker, and then to become a Major Cross,
blow 1 and 2 become D F# and draw 1 becomes E.
The word "become" is starting to look weird to me now, gotta stop.
Oh no, now the word "weird" looks strange . . .
On Tue, Mar 24, 2015 at 7:02 PM, Tony Eyers <tony@xxxxxxxxxxxxx> wrote:
> Nicely done. Playing guitar at the same time is impressive.
>
> I play the tune as well, using Major Cross tuning. It's essentially Melody
> Maker, with extra notes at each end.
>
> Tony Eyers
> Australia
> www.HarmonicaAcademy.com
> everyone plays...
>
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