Re: [Harp-L] Melody Maker Tuning
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] Melody Maker Tuning
- From: Tin Lizzie <TrackHarpL@xxxxxxxxxxxx>
- Date: Sat, 10 Jan 2015 17:07:19 -0500
- In-reply-to: <201501102108.t0AL8ihn027921@harp-l.com>
- References: <201501102108.t0AL8ihn027921@harp-l.com>
I always enjoy hearing you play.
I have some Seydel Blues Session country-tuned harps that ride around in my case all the time, and some Blues Session Paddy Richter harps that I thought I would play a lot but ended up not.
I think I could take the blow reed plate from a Paddy Richter and the draw reed plate from a country-tuned harp and end up with a Melody Maker. (And have two regular Richter reed plates, plus a comb, left over. Such a deal!) Is this correct?
Is there any reason to prefer to keep the country tuned harps as they are?
Of course, then I fret about silly stuff, like labels on black combs, but that’s another matter, entirely.
On Jan 10, 2015, at 4:08 PM, Greg Jones wrote:
> From: Greg Jones <greg@xxxxxxxxxxxxxxxxxxxxxxxx>
> Date: January 9, 2015 8:26:41 PM EST
> To: Harp-L <harp-l@xxxxxxxxxx>
> Subject: [Harp-L] Melody Maker Tuning
> Here's a short video demonstration on Melody Maker tuning..
> I play a standard tuned (C) Session Steel and then switch over to Melody
> Maker tuned 1847..
> *Greg Jones*
> *16:23 Custom Harmonicas*
> *(210) 445-6600*
> Web Site: 1623customharmonicas.com
> Seydel Repair: http://1623customharmonicas.com/repair-services/
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