[Harp-L] History of Harp Tuning and Hearing Chords
- To: Harp <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] History of Harp Tuning and Hearing Chords
- From: ceudoazul@xxxxxxxxx
- Date: Sat, 17 May 2014 15:38:11 -0700 (PDT)
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A guest at a class I took, Paul Brewer, suggested that learning the sounds of chords was the same as recognizing your friend when they call on the phone and you hear their voice (pre-caller ID). Eventually all the chords are friends you recognize.
Suddenly something that seemed tedious took on a different meaning.
The Real Smokey Joe's post reminded me of that analogy.
Best regards,
Brian Boggs
" Sat, 17 May 2014 13:02:52 -0400
From: Joseph Leone <3n037@xxxxxxxxxxx>
Subject: Re: Subject: Re: [Harp-L] History of harp tuning; Chrom
Tuning
To: JON KIP <jon@xxxxxxxxxx>
The way to understand a harmonica is to visualize an apartment building. Each and every note has an apartment. You are a mail man. Delivering the mail..so to speak. The FIRST thing a harmonica player should do is to find out where everyone (the notes) lives. Before you even TRY to play a tune. Once you have everyone's address and a picture in your mind of the musical chart and where said apartment fits on the manuscript paper, you are now ready to be called a REAL mail man. BeCAUSE, no matter WHAT the key, those resident notes will ALways live right there where you have them on your 'delivery' route.
smokey-joe" The Real Smokey Joe
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