Re: [Harp-L] RE: exlpaining position playing



Quite right. There is no G in D major pentatonic. I mistakenly included the
4th instead of the 6th. OOOPS!


On Thu, May 1, 2014 at 3:52 PM, Arthur Jennings <timeistight@xxxxxxxxx>wrote:

> Is 12th position a little bit happier than 1st or a whole lot sadder than
> 5th?
>
> Also, there's no "G" in D major pentatonic; it's spelled D E F# A B.
>
>
> On Thu, May 1, 2014 at 1:10 PM, Dan Hazen <bluesmandan76@xxxxxxxxx> wrote:
>
>> I would explain it in terms of chords, at least for 1st, 2nd, 3rd, 4th,
>> and
>> 5th positions.
>>
>> For a C harmonica:  A C harmonica is set up with C major triad, Em#5
>> triad,
>> and Gsus6 triad in the blow notes
>> It has Dsus6 triad, G major triad and G7 4 note chord and G9 5 note chord,
>> Bdim triad, Dm triad, and Fmajor doublestop in the draw notes (stopping at
>> the 7 draw)
>>
>> C E G C E G C E G C
>> D G B D F  A B D  F A
>>
>> You play the "position" based first on the root chord for the song, and
>> secondly based on other chords in the song.
>>
>> 1. A typical folk song is played in first position, because it will use C,
>> F, and G chords. The minor chords (Am, Dm, Em) can be played either in
>> part
>> or in whole, or arpeggiated.
>>
>> 2. A typical major blues song will use the chords G7, C7, and D7. The G7
>> chord is holes 2-5 draw. The C7 can be played in part (have to use 3 draw
>> bend or 6 OB to get the Bb) and the D7 can be played using a flat 3rd on
>> the 5 draw (arpeggiations allow 2 draw bend or 5 OB)
>>
>> 3. A typical minor blues song will use Dm, Gm, Am. You've got the Dm on
>> 4-6
>> draw. Gm is 2-4 draw with the 3 draw bent. Am is played with the CE
>> doublestops, or with the GCE triads if it is an Am7 (inversion dropping
>> the
>> root).
>>
>> 4. A minor keyed song in Am will typically use the chords Am, G, Dm, Em
>> and
>> maybe a C. All readily played or arpeggiated on a C harmonica in 4th
>> position, since Am is the relative minor of C major.
>>
>> 5. A rock or blues song in Em can be played in 5th position, using the 2-3
>> hole blow doublestop as home base, and avoiding the F on 5 draw. The Em7
>> chord is easily arpeggiated by avoiding the C and F notes. In fact a
>> typical rock or blues solo in an Em song on guitar might be in the D
>> pentatonic (D E F# G A) which plays easily on the first 4 draw holes with
>> bends.
>>
>> *AND LAST!!!!   Here's a neat (but undoubtedly controversial on this
>> forum)
>>
>> approach: The chords and licks available on a given harp will greatly
>> affect the "feel" of the song (how happy or sad it is) First is happiest.
>> Then 2nd (happy blues). 3rd starts to get sad. 4th is sadder. 5th is the
>> saddest sounding. How happy or sad is the given song on a scale of 1 to 5?
>> That's the position you play in.*
>>
>
>
>
> --
> Arthur Jennings
> http://www.timeistight.com
>



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