Re: [Harp-L] explain positions to beginner
- To: Robert Coble <robertpcoble@xxxxxxxxxxx>
- Subject: Re: [Harp-L] explain positions to beginner
- From: Tony Stephens <tnysteph@xxxxxxxxx>
- Date: Thu, 26 Jun 2014 16:14:25 -0400
- Cc: Harp-L <harp-l@xxxxxxxxxx>
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- In-reply-to: <BLU176-W17D6C0221843AD60590D9EC4190@phx.gbl>
- References: <BLU176-W17D6C0221843AD60590D9EC4190@phx.gbl>
Where do you find this modes or scales on the internet? What would you search for?
Thanks
Sent from my iPhone
> On Jun 25, 2014, at 10:15 AM, Robert Coble <robertpcoble@xxxxxxxxxxx> wrote:
>
> Hereâs a single statement to convey to your student:
>
> Regarding knowledge of the instrument and its musical possibilities:
>
> Ignorance is *NOT* bliss!
>
> A hammer has as its primary purpose that driving of nails. However,
> as testament to the human inability to always drive pegs squarely into
> round holes, it also includes a supplementary function to remove the
> mistakes.
>
> Consider his question:
>
> "It's a C harp, why wouldn't it always play songs in the key of C?"
>
> A simple answer:
>
> On that âCâ harp, one can also play in the key of A natural minor.
> Although the same notes are used in both the Ionian (âCâ major) and
> Aeolian (âAâ natural minor) modes, the arrangement of the intervals
> is totally different, resulting in a totally different âfeelâ (quality).
>
> A knowledge of modes (and corresponding positions) adds tools to the
> musical toolbox. I am always perplexed by the erroneous assumption that
> one should not learn more than the bare minimum, so as to avoid the
> possibility of âcorruptingâ that âpure musicâ from within. It is almost
> as perplexing as the assumption that extensive theoretical knowledge
> is the /condicio sine qua non/ for a successful musician.
>
> And, of course, it greatly helps to play a Spiral Tuned harmonica!
>
> ;-)
> Crazy (about Spiral Tuning) Bob
> (One of the other Roberts, but NOT the "dread pirate Roberts")
>
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