[Harp-L] Diatonic v Chromatic
- To: "Harp-L List" <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] Diatonic v Chromatic
- From: "Aongus MacCana" <amaccana@xxxxxxxxxx>
- Date: Mon, 2 Sep 2013 12:32:36 +0100
- Thread-index: Ac6n0B9kiMBOeEM9RPmWOQJMrr+3+w==
I know about as much about music (and harmonicas/mouthorgans for that
matter) as a dog knows about a wireless.
However at my advanced age I am picking up knowledge on a need to know
basis. This is proving quite interesting and even entertaining. In fact I
have been told that it may be an antidote to senile dementia.
For this reason I have copied Winslow's latest erudite posting on the above
topic to a Word document which I shall study at my leisure.
When I purchased my first chromatic harmonica in the key of C sixty odd
years ago I was led to believe by the "authorities" of the time that I now
had a device on which I could play any tune in any key and that I would
never need buy anything different or any better. This was and is indeed
(theoretically!) true. Alas when I got into it I found that there were a few
snags.
The first was that -quite unconsciously - I transcribed every tune I tried
to play into first position or the key of C. In some trickier tunes like
when I was trying to copy Larry Adler I found that there were sometimes
"rogue" notes hiding which could only be accessed by use of the slide. I
also found that some tunes did not sound great or quite right when played in
C.
A break through occurred when I discovered that chromatics could be bought
in any key and that a G chromatic in particular opened up the possibility -
even to a first position junkie, of accessing a treasure trove of Irish
traditional tunes in the keys of G and D.
I can scarcely wait to get my hands on one of these new Seydel 'Samplers'
which will give me first position G or D at the touch of a button.
Beannachtai
Aongus Mac Cana
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