Re: [Harp-L] Re: Tilting the Harp, & Irony
Brendan some of us Yank's apply " Tongue in Cheek " more often than " Tongue Block "
So we understood you .....it's ok
Mike Wilbur
On Oct 11, 2013, at 4:24 AM, "Brendan Power" <bren@xxxxxxxxxxxxxxxxx> wrote:
> Oh dear, I always forget that Americans have an irony deficiency! After a
> couple of alarmed responses to my last post, I realise once again that
> British humour is not grasped by our friends across the Atlantic and that we
> often need to explain the meaning of jokes in excruciating detail.
>
>
>
> Over here (as well as in other English-speaking nations like my native New
> Zealand, Australia, Canada & Ireland), people often deliberately overstate
> things, or say the opposite of what they really mean, for comic effect. Itâ
> s intuitively understood and appreciated by all around - but unfortunately
> many Americans take the comments at face value and misunderstandings arise.
>
>
>
> If I have to spell it out: I love the sound of good Tongue-Block playing -
> as well as puckering and the rolled-tongue style that others employ. If itâ
> s used well, ANY embouchure is good! Itâs silly to rate one over another;
> as with the guitar, itâs pointless to rate fingerstyle over pick playing -
> they are different approaches and get different sounds & effects. Players
> will prefer one or other for their own personal use, but there is no
> absolute better or worse.
>
>
>
> I was just joking in an overstated, humorous manner that the TB guys
> sometimes do give the impression of making that absolute judgement of
> superiority, mainly because their style was used by Little Walter and other
> Blues greats. Some of them tend to dis pucker playing for that reason, as if
> it is somehow not worthy of a true harmonica player. You see that implied or
> even stated on the purist blues harp forums from time to time.
>
>
>
> As a result I was comparing puckering to having an embarrassing disease or
> sexual proclivity that one feels the need to cover up, and then making a
> grandiloquent gesture of coming out bold and proud. The use of the word
> âNazisâ is a case in point in the ironic overstatement. Over here in the
> Celtic music scene players often joke about the âTrad Nazisâ who frown on
> any departure from strict old-time Irish traditional playing. It is widely
> used and understood in that comic sense. I was using it in the same manner
> to describe those in the traditional blues scene who think that
> tongue-blocking is the only legitimate way to play the harmonica.
>
>
>
> Continuing the ironic overstatement to a ridiculous extent, I went on to
> claim that puckering with a tilt was the best of all approaches. This is
> something I donât actually believe, and I would have thought that was clear
> from the context. But apparently not for some - hence this long-winded
> explanation.
>
>
>
> I hope all is clear now, for whoever needs it spelled outâ
>
>
>
> Brendan Power
>
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>
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