RE: [Harp-L] When Did Fast Become Good?

[AC â <ac4music@xxxxxxxxxxx>]

I'm not so sure that playing fast is unique to the post MTV generation. I have some recordings of Eastern European harmonica trios / bands from the 50's and in majority of the songs they play incredible fast - often in a "showing off" look how fast I can do this manner. I personally find nothing wrong with it, as long as it is musical and the notes are there.  AC
 > To: robertrowe2@xxxxxxx; harp-l@xxxxxxxxxx
> Subject: Re: [Harp-L] When Did Fast Become Good?
> From: icemanle@xxxxxxx
> Date: Mon, 13 May 2013 11:08:54 -0400
> CC: 
> 
> It all started with MTV (camera shots that changed every 2-4 seconds) and video games (constant movement).
> 
> 
> Generations have grown up subjected to this type of rapid stimulation. It encourages passive acceptance (keeps the brain entertained) with minimal effort from the recipient.
> 
> 
> It's a funny world now.
> 
> 
> The good news is that the WELL PLACED NOTE, sustained and surrounded by NOT PLAYING still will move any audience. The performance fear may be that the player, if using this approach, definitely puts himself out there on a tight rope, balanced by a different type of deeper talent.
> 
> 
> 
> -----Original Message-----
> From: Robert Rowe <robertrowe2@xxxxxxx>
> To: harp-l@xxxxxxxxxx Harp-L <harp-l@xxxxxxxxxx>
> Sent: Sun, May 12, 2013 10:31 pm
> Subject: [Harp-L] When Did Fast Become Good?
> 
> 
> When did we develop the mindset that playing at breakneck speed was the hallmark 
> of a good player?  So often I'll hear a player rip through a run of 1/128th 
> notes and the audience cheers like it was the second coming of Christ. It 
> doesn't seem to matter that the pitch , timing and intonation was terrible. Fast 
> = good. I caught the bug ala Eddie Van Halen when I learned to shred my 
> electrics. The poor janitor was sweeping notes up off the floor for days when I 
> got done. 
> 
> 
> 
> Now, in my old age and wisdom, I appreciate a tune played at a reasonable pace 
> so that you can hear the tone of the instrument, the nuances applied by the 
> artist, the perfect pitch and timing. It reminds me of a quote attributed to 
> Miles Davis; "Learn to play the silence."
> 
> Kelly
> 
>