Re: [Harp-L] When Did Fast Become Good?
- To: Robert Rowe <robertrowe2@xxxxxxx>
- Subject: Re: [Harp-L] When Did Fast Become Good?
- From: Frank Mangiapane <frank.mangiapane@xxxxxxxxx>
- Date: Mon, 13 May 2013 10:42:58 -0500
- Cc: "harp-l@xxxxxxxxxx Harp-L" <harp-l@xxxxxxxxxx>
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I agree, I dig the sounds of cats like Butterfield, Slim Harpo and Lazy Lester to name a few, and to put it simply, most times, less is more.
Sent from my iPad
On May 12, 2013, at 9:31 PM, Robert Rowe <robertrowe2@xxxxxxx> wrote:
> When did we develop the mindset that playing at breakneck speed was the hallmark of a good player? So often I'll hear a player rip through a run of 1/128th notes and the audience cheers like it was the second coming of Christ. It doesn't seem to matter that the pitch , timing and intonation was terrible. Fast = good. I caught the bug ala Eddie Van Halen when I learned to shred my electrics. The poor janitor was sweeping notes up off the floor for days when I got done.
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> Now, in my old age and wisdom, I appreciate a tune played at a reasonable pace so that you can hear the tone of the instrument, the nuances applied by the artist, the perfect pitch and timing. It reminds me of a quote attributed to Miles Davis; "Learn to play the silence."
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> Kelly
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