Re: [Harp-L] Spiral (Circular Tuned) Harps
- To: harp-l <harp-l@xxxxxxxxxx>
- Subject: Re: [Harp-L] Spiral (Circular Tuned) Harps
- From: Eugene Ryan <ryan.eugene@xxxxxxxxx>
- Date: Thu, 20 Jun 2013 14:46:19 +0100
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Hi Emily (hey Gary and others too!)
Thanks for your fascinating explanation. I'm always interested in knowing
tunes that demonstrate particular mode usage and your post was very
informative. I don't know much about Appalachian music - they were great
examples.
We have similar things in Irish music but when I looked at a few of the
particular Irish tunes, they appeared to be in G to start with but resolve
to D major using a C# leading tone, not really exhibiting a Lydian feel.
There are may be some real Lydian tunes in Irish music but I'll have to
find them - it seems to be more common in Scandinavian folk music. There
may be similar historical reasons for the C and C# in those particular
Irish tunes (as opposed in the minor tunes switching between Dorian and
Aeolian) but I don't want to speculate on the origin of individual tunes
because the history is hard to trace (and I'm not a musicologist).
Thanks!
Eugene
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