[Harp-L] Tommy Reilly
- To: harp-L list <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] Tommy Reilly
- From: Music Cal <macaroni9999@xxxxxxxxx>
- Date: Tue, 16 Jul 2013 22:55:18 -0700
- Dkim-signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:date:message-id:subject:from:to:content-type; bh=aPT83VsRNLQRvsBTxGr2gEWGpEDBDyXQ+mrcfnZGdVc=; b=INsJgh0CrsIhZpDir4VBiS56/AicQBe2cCHD8lS9pXf6CvMImDeH6KNf0nnqGPhR+v jlj/HipXQefwlph/mbiGoZLQEd81SEhq2mRotbV7Cvuyu4ivrDT7tIaxR6ATInSKm2yQ JvdPXSnI9FjRV8f1Q5wgk2dCK2n+PkGzzitdgIRq+/Cl9niNgnb2gyY7OfOwAP/B/kHO b8Kph2r5YSHZ+CgUCXdbFe4r4AZOYxeOhd4T61jBdJS2x/t3S8f88N7ORMlSdk2RIgm9 SFCIW4doK9ZIvl5V5yI1Mf3t/9E6742v/KpybrQ9yru1nfxHFmdVOWAFK164xAP11fn0 JzHw==
By way of discussion about beautiful tone Jon Kip introduced me to Tommy
Reilly's recordings.
OK. So, how do develop tone like Tommy's? It is exquisite!
Any students of Tommy's here?
MusiCal
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.