Re: [Harp-L] use of technique
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] use of technique
- From: Ray Beltran <raybluemax@xxxxxxxxx>
- Date: Thu, 12 Dec 2013 10:40:12 -0800
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Nice. Keeper.
Ray.
—
http://www.reverbnation.com/raybeltranbluemax
On Dec 11, 2013, at 7:19 PM, harp-l-request@xxxxxxxxxx wrote:
> ------------------------------
>
> Message: 2
> Date: Wed, 11 Dec 2013 08:12:06 -0800
> From: JON KIP <jonkip@xxxxxxxxxxxxx>
> Subject: [Harp-L] use of technique
> To: harp-l@xxxxxxxxxx
> Message-ID: <22D7697F-73EE-49D8-862C-D6A14E08C751@xxxxxxxxxxxxx>
> Content-Type: text/plain; charset=windows-1252
>
> I just saw this, about Jim Hall, the jazz guitar player, just died, and there's one sentence that's pretty good, no matter what your instrument
> First paragraph for context, second one is the Good One.
>
> "What seems kind of frivolous and doesn't really impress me is guys, people, women ... who have amazing technique but everything sounds worked out," Hall said in a 2003 interview for the National Endowment for the Arts. "They go through these chord changes with all these chops.
>
> "Usually I wish I had the kind of technique to do that and then not do it, sort of. I like to make some kind of composition happen while I'm playing. That involves motive development. ... I also love melodies. So I try to play melodies over tunes — have it go someplace and then come back."
>
>
> The sentence that says a lot is this:
>
> "Usually I wish I had the kind of technique to do that and then not do it "
>
> jk
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