[Harp-L] Old time player's harp questions
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] Old time player's harp questions
- From: pneupco@xxxxxxxxxxxx
- Date: Sat, 13 Apr 2013 14:31:25 -0400
- Dkim-signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=localnet.com; s=localnet; t=1365877886; bh=JRrja+CcSFopFypzbxSevfLPTTYlsgZFsvhSEm9mdLE=; h=Message-ID:Date:From:To:Subject:MIME-Version:Content-Type: Content-Transfer-Encoding; b=VLL834CBWlYXFhhxK4Xcp1ad4icbkEvZj5WWF6Rp0Mx+PIDXTbTaBT8DWOrgmvkJQ 4KrwHTm1FpbkOsYM0N1KFTEVjGyOapbvgFGzRhr+FpfITsNfMNvVrFAAq3xssw5/Td rqJXzcjuUT0lefnqI3JT5p/YxWfoFIyahgJzjlLE=
- User-agent: Internet Messaging Program (IMP) H3 (4.1.3)
Back in the day when DeFord Bailey and all of the other greats were
active, did they use strictly off-the-shelf MBs and Old Standbys which
were used until they wore out and then a new one was gotten, or did
they have people on hand to keep their harps in tune and well adjusted?
Did they do the work themselves?
It seems to me that I read somewhere that Larry Adler had a
repairman/technician on call and I would imagine that some of the other
big name night club/stage/vaudeville performers had someone as well.
Was that common?
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.