Re: [Harp-L] (no subject)

[Rick Dempster <rick.dempster@xxxxxxxxxxx>]

My experience is that the level of technique displayed is often inversely
related to the expressiveness of the piece, particularly with the harmonica.
This was certainly not the case here, I'd like to say.
RD

On 26 September 2012 11:58, Tom Stryker <tstryker1@xxxxxxxxx> wrote:

> Very nice Angelo.
>
> Stryker
>
> <Message: 1
> Date: Tue, 25 Sep 2012 17:53:23 +0200
> From: Angelo Adamo <info@xxxxxxxxxxxxxxx>
> Subject: [Harp-L] Low Chromatics
> To: harp-l@xxxxxxxxxx
> Message-ID: <44597AF3-3EA4-437D-8CAD-1195E445E0C2@xxxxxxxxxxxxxxx>
> Content-Type: text/plain; charset=US-ASCII; format=flowed; delsp=yes
>
> Hi,
> I always dream of a five octave, 20 holes chromatic that goes lower
> than 64 holes...
> I play a lot in the first octave of my chrom and I don't have so much
> problem in doing it.
> It seems to me that, in general, playing strong in live concerts, the
> lower octave responds better than the medium one in which, also after
> regapping, sometimes happens that the reeds blocks and/or play in late.
> Here is a example of my use of the lower notes.
>
> http://www.youtube.com/watch?v=vM0--lml8js>
>
>


-- 
Rick Dempster
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