Re: [Harp-L] overblow and overbend
- To: harp-L list <harp-l@xxxxxxxxxx>
- Subject: Re: [Harp-L] overblow and overbend
- From: Winslow Yerxa <winslowyerxa@xxxxxxxxx>
- Date: Sun, 16 Sep 2012 09:49:50 -0700 (PDT)
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- Reply-to: Winslow Yerxa <winslowyerxa@xxxxxxxxx>
Overbend is a catch-all term for both overblows and overdraws.
"Blow note rising" can be misleading, as you're probably aware. The reed that sounds in an overblow is the draw reed, responding to an exhaled breath in opening mode (moving away from the reedplate before springing back) and sounding a pitch higher than its standard closing pitch, just as in an overdraw the reed responding to the inhaled breath is the blow reed opening at a higher pitch.
Winslow Yerxa
Author, Harmonica For Dummies, ISBN 978-0-470-33729-5
Harmonica Basics For Dummies, ASIN B005KIYPFS
Blues Harmonica For Dummies, ISBN 978-1-1182-5269-7
Resident Harmonica Expert, bluesharmonica.com
Instructor, Jazzschool for Music Study and Performance
________________________________
From: Robert Hale <robert@xxxxxxxxxxxxxx>
To: harp-L list <harp-l@xxxxxxxxxx>
Sent: Saturday, September 15, 2012 7:34 PM
Subject: [Harp-L] overblow and overbend
overblow and overbend
Are these two names for the same technique: a blow note rising?
Robert Hale
Spiral Advocate
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