[Harp-L] tripple reed -specific
- To: "harp-l@xxxxxxxxxx" <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] tripple reed -specific
- From: mik jagger <harpomatic@xxxxxxxxx>
- Date: Thu, 13 Sep 2012 22:52:23 -0700 (PDT)
- Dkim-signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=yahoo.com; s=s1024; t=1347601943; bh=IaMUItMN9LWQSlj1jOoK+cBOvIbDeU6nrNMZOmQa7kg=; h=X-YMail-OSG:Received:X-Mailer:Message-ID:Date:From:Reply-To:Subject:To:MIME-Version:Content-Type; b=jbonaEsOoBPVrlggeR6MRES9MnKaAsfxbjSc2XA+DQV00RDVdGUl3BiaW2YOHNLw1AJhPPVEdx0prlDl5Gwiao9Znh1osrC2IG7spJNd19JRSA2UFGoyV1NasO1eHFShK+y3Ppi5G/oqEcZ0eJMr0V7fzQ0BXJBQqmW/P5oDV1s=
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Message-ID:Date:From:Reply-To:Subject:To:MIME-Version:Content-Type; b=nwdr79Xgks0vBKIDNYrYcI8+jRPn6yTr5/9O1SBgTyo0R6gInjcGR67+oqzYbBbrmAVkzaqL66I6jOqemc/vD8EPXRSCC3CpMTWCtkQrLr4gIFrpC3ax93X+GjjlBfVVCNJoSHJoDRtmt1oW6jVSzoBp9REpoGdhNyuJCE5EVdU=;
- Reply-to: mik jagger <harpomatic@xxxxxxxxx>
Here is a phenomenon I'm still trying to understand, I do find it fascinating and very harp-specific:
I agree that triple reed design is brilliant, and a future of diatonic harp, no matter who thought of it first. For many years now, I've been playing xb40 hohner, first 3pple reeded harp I was ever introduced to. I have nothing but love for this harp that delivers every wonderful thing that it promised, and more. ("More" would be the fact that in hohner's case, you could not really count on longevity, but my xb took years of hard daily play ever since it came out, and sounds brand new till this day) . I remember all the excitement and anticipation around its introduction. Now there are 2 pieces of news in the "harp-land" that happen to coincide, thus prompting me to post my questions:
1) XB-40 is "out"
2) Sub30 is "in"
Usual excitement follows. Nothing is wrong with that, I'd like to get a piece of that, too. But as I find out, the new harp is a) smaller (good), but offers less note choices by bending less and not on all the holes, less responsive out of the box, and significantly more expensive on top of that. further, the design is not AT ALL fundamentally different from the XB40.
Here are the issues I still cannot put together, and therefore, I am compelled to ask fellow members for help:
1)It seems that the "world", or harp community at large did not vote with their cash for the initial triple-reed offering by Hohner. (true/false?)
2) the next, inferior offering by Suzuki, despite an unexplainable week and feeble "buzz" on harp-l, will surely die out, if it continues to exist in its present form. (true/false?)
................
So here is a thing that, out of very "harp-centric" curiosity, I'm trying to understand. Perhaps, the majority opinion (as unexpected to a fan of 3-reed design, as I may be) is that a "triple reed" is NOT the future of diatonic! If it is so, if such opinion is out there, and even especially so due to it being majority opinion, I would really, sincerely like to hear it being expressed. Not for target practice purposes, but for an indeed live and informative dialog - I'm really curious what makes others tick, especially if they indeed are different from me.
Or, I could re-phrase the question as " so how many people love their XB-40 out of the box?"
Or, ask the same question in these words" what is it about our community that makes us resent true innovation?" I bet it is the same "thing" that makes us hate Sugar Blue and john Popper, while loving Jason Ricci...
Sorry to ruffle feathers along this complex journey to getting an answer to a question that now seems to be more complex than I thought at first.
Thank you moderator and harp-lers for your patience,
Michael, therefore "Mick - I am (but Jagger - I am not)" Korosty.
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.