Re: [Harp-L] Michalek Blues
Chris described his vibrato as bending the note up and down, and you can
see his jaw moving all around while he would do it. I guess that makes it
sorta both?
What makes it hard to master is his attack and how he applies it. When I
reflect on what he was doing compared to what I do, as it is my best point
of reference, he was always able to lean into notes in a very fluid and
somewhat soft way. I tend to slam notes and play harder. I can't capture
the dynamics of his playing with the same touch, although I can play the
same bent vibrato. I've also heard Jason Ricci demonstrating this in a
video on the 3 hole bends.
I use the bent note vibrato all the time, but unlike Chris, it is generally
an aggressive sound unless I am playing something pretty, which I generally
don't. He was always able to play with a dynamic and vibrato that was very
sweet even when he was playing aggressive pieces. I play harmonica pretty
much the same way that I sing. If his playing would be compared to a
singer, it would have to be someone like Mahalia Jackson.
He was very much a ninja in his playing.
On Friday, October 19, 2012 9:04:26 AM UTC-5, Michael Rubin wrote:
>
> Iceman,
> In my opinion, Levy's vibrato is bend based, Chris' jaw based. They sound
> very different to me.
> Michael Rubin
> Michaelrubinharmonica.com
>
> On Fri, Oct 19, 2012 at 8:52 AM, The Iceman <icem...@xxxxxxx <javascript:>>
> wrote:
>
> > It sounded to me as if Chris was duplicating Howard Levy's type of
> vibrato
> >
> >
> > ..can anyone duplicate (even approximately) Chris' vibrato?
> >
> >
> >
> >
> >
> > -----Original Message-----
> > From: Rick Dempster <rick.d...@xxxxxxxxxxx <javascript:>>
> > To: Emile Damico <oatss_o...@xxxxxxxxx <javascript:>>
> > Cc: harp-l <har...@xxxxxxxxxx <javascript:>>
> > Sent: Fri, Oct 19, 2012 9:07 am
> > Subject: Re: [Harp-L] Michalek Blues
> >
> >
> > S0...can anyone duplicate (even approximately) Chris' vibrato? I can't
> get
> > anywhere near it.I bought one of his custom harps,and while it
> > overblowed/drawed etc., I hated playing it, even if I only played scaler
> > stuff, no chording.
> > It was like Chris 'processed' each note in a way that was beyond me.
> > Dammitt!!
> > RD
> > '
> >
> >
> >
> >
>
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