[Harp-L] Classical Sub-30
- To: "Harp-l@xxxxxxxxxx" <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] Classical Sub-30
- From: David Fairweather <dmf273@xxxxxxxxx>
- Date: Thu, 15 Nov 2012 19:55:57 -0800
- Cc:
- Dkim-signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:date:message-id:subject:from:to:content-type; bh=DAei3qeemaG3EByLKBOuOqUhLKNX/ALH8ZRvuSGhJIo=; b=bHhZsc3+ZJrD8m2HxB3VwH6SqusqNVh7Qp3HUxrHbaMZS9niMgGO1TDhY8q5DLNtmS f37wKkm1tVKb3DGEqyO6Mhh8QUP98sL6LHfqllrR8+yif02Z1BZAEEdvyVXY389r79sK q79/r3e1KUix+lKdGYKbqfDai3Nphr/CO+Jo38+G56GVmehuN6ZRMh3bb67EEfhk9QJJ PWtJIDMMlNJzahOyPr2ob6FoBL7iGlpgmAGb1hyTPV0Y9k8xAIk9THIQb+Rc6zxlnp9I OZx1kwAViwmipDwVmIzcDL5gA2UQl7Bq/dZSgEgMkD3H0qTSB2Vb37aMpv/tK7b5kHCF CaiQ==
You guys are less forgiving than I am! Obviously classical music was never
meant to be played on a diatonic harmonica. And if it was played on a
diatonic harmonica with each note perfectly in tune, then it wouldn't sound
much like a diatonic harmonica would it? I like the slightly bluesy effect
that the diatonic adds to the piece. But I'm no purist in this regard. I
look at it as a pleasantly amusing novelty item. And I still think that if
this same tune was attempted with valved bends or overblows it would be
even more off base but not in a pleasant way.
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.