Message: 10
Date: Sat, 26 May 2012 17:14:20 -0700 (PDT)
From: Winslow Yerxa <winslowyerxa@xxxxxxxxx>
Subject: Re: [Harp-L] Re: Steve play'n Burt...
To: "harp-l@xxxxxxxxxx" <harp-l@xxxxxxxxxx>
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	<1338077660.39696.YahooMailNeo@xxxxxxxxxxxxxxxxxxxxxxxxxxxx>
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The thick aluminum reedplates were only produced in the post-WWII  
period when brass was scarce, and not in the 1960s or '70s. The 280  
that Stevie is playing is cross-tuned (you can see the slider  
clearly at 3:45) and has the plastic comb with the faux-wood grain  
that was current from the mid-1950s through approximately 1980. The  
aluminum reedplates that Ive' seen were always on wood combs and  
straight-tuned.
Could Stevie have had the thick aluminum plates from new old stock  
re-reeded (or re-tuned) from straight to cross, re-drilled for the  
brad fasteners that replaced nails on the plastic combs, and  
installed on a 64 body current to the period (1970s). Possible, but  
why? Those plates were leaky and were simply not as good as even the  
64s from from the 1970s.
Also, the reedplates in the clip do not appear to be as thick as the  
aluminum reedplates, which were really fat. (I know; I own one of  
the aluminum-plate models and comparison with the harmonica in the  
video indicates that Stevie's plates are too thin to be the aluminum  
ones.)
Winslow