Re: [Harp-L] No Effects or Delay?
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] No Effects or Delay?
- From: MundHarp@xxxxxxx
- Date: Thu, 22 Mar 2012 09:53:08 -0400 (EDT)
- Dkim-signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=mx.aol.com; s=20110426; t=1332424389; bh=v6O/VKCGFirdNask7CZpNESEaWYDsGv4pTdfw/wO13c=; h=From:To:Subject:Message-ID:Date:MIME-Version:Content-Type; b=sqV5whfe4ZXMuEdCuJ9UNwEfe2umXJAPFy2OwOLFUmWfYYsltVcMHPpOsIg51fe7i LKpfg9SikIRLWzOFYDyOYfn1rGChzgQkHX09o0Vuvt95R0hlzhZ/IJw7QSFAKZjPD0 HvNdiLhdvfvLBEhA+7PtKK/2LNkJDj35RDvmqgJ0=
Over the years, I have tried many and various effects to model the sound
from my harmonica that people in the audience hear.
For a long time I used a Watkins Copycat tape echo unit pretty well all
the time; but when on a gig the tape loop broke and I hadn't brought any
spares I played without it, and decided that I sounded much better! I also
often used fuzz, wah, Leslie speakers, etc, etc.
I have a Digitec RP 355, and it is an awesome unit, but I still haven't
learnt how to "fly it" properly. I like to keep things on stage simple so
there is less to go wrong!
When I am playing with an amplified blues or rock band I just use my trusty
1995 Fender Blues Deluxe 40 watt, 1 x 12", tube amp, with a little spring
reverb and my Crystal Balls JT-30, or a Fireball mic. Otherwise, the house
PA can be just fine.
But I guess for any musician, harp player, guitarist, whatever... It is
what works FOR YOU that matters. There isn't a "right or a "wrong" way to get
the sound that YOU want to get.
John "Whiteboy" Walden
Just now in Scotland....
_http://johnwalden.freevar.com_ (http://johnwalden.freevar.com)
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.