[Harp-L] Power Chromatic tuning compared to Major Cross
- To: harp-l <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] Power Chromatic tuning compared to Major Cross
- From: Gary Lehmann <gnarlyheman@xxxxxxxxx>
- Date: Tue, 20 Mar 2012 21:38:59 -0700
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*Power Chromatic*****
Hole 1 2 3 4 5 6 7 8 9 10
Blow C E G A C E G A C E
Draw D F# A B D F# A B D F#****
All examples are in the key of G.
Think of this as holes 3 thru 6 of a Melody Maker tuning, but situated on
holes 4 thru 7, and the same across the harp.
No shift in breath direction.
Chords are C6 and D6--that's the IV and V chord--no tonic chord in the key
of G.****
Power Chromatic 1 2 3 4 5 6 7 8 9 10
Blow A C E G
Draw B D F# A
Major Cross 1 2 3 4 5 6 7 8 9****
*G Major Cross*****
Hole 1 2 3 4 5 6 7 8 9 10
Blow D F# A C E G C E G B
Draw E G B D F# A B D F# A****
And I have another tuning I am using a lot, that I put together myself--
***New World*******
1 2 3 4 5 6 7 8 9 10
F# A C E G B D G B D
G B D F# A C E F# A C****
Notice that holes 2 thru 5 have this same layout.
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