[Harp-L] Re: Harp-L Digest, Vol 102, Issue 48
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] Re: Harp-L Digest, Vol 102, Issue 48
- From: JON KIP <jonkip@xxxxxxxxxxxxx>
- Date: Sat, 25 Feb 2012 11:51:32 -0800
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=dk20050327; d=earthlink.net; b=OG/RYr/F0Vl3sKWrmckXDaxmI+KKKJ++chWTjuSwKIV4yZii+Tb/B/pHHSaGp/VR; h=Received:Message-Id:From:To:In-Reply-To:Content-Type:Mime-Version:Subject:Date:References:X-Mailer:X-ELNK-Trace:X-Originating-IP;
- In-reply-to: <201202251138.q1PBc1Ib026112@harp-l.com>
- References: <201202251138.q1PBc1Ib026112@harp-l.com>
perhaps music should not be regarded as a competitive sport...
although, on second thought, I'm still proud of the pin I got in 1955
for being "the best clarinet player" in The S.F. Bay Area..... in the
"Pre-Pimple" division, I'm sure...I was ten.
but not as proud as my parents were....
go figure.
actually, a competition might be just the thing....
could have divisions...
1. Best sight reading of an acoustic piece composed in the key of Bb
minor by a now-deceased Germanic composer at mm= 210 when played by
a middle-aged chromatic harmonica player with an astigmatism.
Ok I was wrong, NOW, I'm getting into it....
cool...
but also it would be nice if enough people got good enough on the
chromatic harmonica that when people call you for work, their first
question is NOT "Do you read music?"
I love that one... not once have I been asked that by people wanting
me to play any other instrument.... and I've been doing this stuff for
a long time....yeah, I got old. Took some years to do it, but my
favorite trio, (Medicare, Pension and Social Security) arrived last
year, and are good company these days.
ok, I'm done.
hey, 3N037... what's up?
jk
On Feb 25, 2012, at 3:38 AM, harp-l-request@xxxxxxxxxx wrote:
Perhaps what's needed for such a competition is different classes of
solo performance, e.g. solo harmonica without electronics, solo
harmonica with electronics, solo harmonica and vocal, solo multi-
instrumental (with or without electronics) and vocal, and maybe
others. That would widen the field of performers and provide
reference points for the audience(s).
Regards, Richard Hunter
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.