Re: [Harp-L] Subject: The inimitable Toots Thielemans
It's it. The conjugations go: Egli (he) Esse (she) Elle (thing)
On Feb 21, 2012, at 6:35 PM, EGS1217@xxxxxxx wrote:
> Well said, John. What struck me is how this is a true duet between the
> vocalist and the harmonica 'voice'. Toots keeps playing throughout - doesn't
> stop and allow the vocalist to be totally dominant (the way so many seem to
> insist it's 'supposed' to be when playing accompaniment). He weaves his
> chromatic around and through the singer's voice - adding so much to the song -
> which, incidentally, I find especially poignant at this stage of his life
> since I believe the English translation to be: 'Life, how she(or it)
> passes'.
>
> Elizabeth
>
> PS: really dig Salvatore Adamo's voice. I didn't know of him before.
>
> Message: 7
> Date: Tue, 21 Feb 2012 11:36:13 -0500
> From: John Kerkhoven <solo_danswer@xxxxxxxxxxxx>
> Subject: Re: [Harp-L] Subject: The inimitable Toots Thielemans
> To: EGS1217@xxxxxxx
> Cc: harp-l@xxxxxxxxxx
>
> Great stuff... saw him & Kenny Werner just last week. He's a gentleman and
> his playing is constantly surprising. I don't know how he chooses his
> notes. He is no slave to melody but plays with the greatest respect for the
> melody. Also what really struck me is the liberty with which he and Werner
> play -- both individually and together.
>
> John
>
>> No one like Toots, here with Salvatore Adamo - dueting on:
>>
>> 'La Vie Comme Elle Passe'
>>
>>
>> _http://www.youtube.com/watch?v=qbQ41zcjfK4&feature=related_
>> (_http://www.youtube.com/watchv=qbQ41zcjfK4&feature=related_
> (http://www.youtube.com/watchv=qbQ41zcjfK4&feature=related) )
>
>> SO beautiful...
>
>> Elizabeth
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