Re: [Harp-L] Special 20 mods
Mike,
I have opened many SP20 cover plates this way. You may notice some
difference when playing acoustically, but probably not much if you are
amplified and cupped.
http://archive.harmonicasessions.com/feb08/Pollard.html
Regards,
Matt Rackerby
._ ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;,_
I\_\.____Visalia, CA_____\_\
\|___[]-[]-[]-[]-[]-[]-[]-[]-[]-[]___|
....ââââââââââââââââââââââââââââââââââââââââââââââ
-----Original Message-----
From: Mike Best
Sent: Monday, February 20, 2012 10:59 PM
To: 'harp-l@xxxxxxxxxx'
Subject: [Harp-L] Special 20 mods
I find the concept of harp modifications fascinating, and I especially like
the idea of mods which can make my harps more responsive. I hate it when I
buy a new harp and it comes out of the box all "mushy". Sometimes I can
improve it by pushing the offending reeds closer to the reed plate, but it's
a pretty hit-and-miss process.
Rather than trawling through the internet picking up tips here and there,
can anyone point me towards an article or site which covers such mysterious
things as gapping and embossing? I play Special 20's exclusively if that's
any help
On the subject of Special 20 mods, I've heard that people squash in the back
edges of the cover plates which has the effect of opening up the back of the
harp and "letting more sound out", thereby making a louder harp. But having
a louder harp would mean that I wouldn't need to turn my amp up so much, and
my '59 Bassman RI doesn't sound any good unless it is cranked up to about 6
or so (and that's with low gain preamp tubes). So maybe this mod isn't such
a good idea after all? I would be interested in hearing others thoughts on
this.
I would love to deal directly with a custom harp modifier but I don't know
of any here in Australia!
Cheers
Mike
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.