Re: [Harp-L] Approaching an unfamiliar PA
- To: martinoldsberg@xxxxxxxxx
- Subject: Re: [Harp-L] Approaching an unfamiliar PA
- From: MundHarp@xxxxxxx
- Date: Sun, 22 Apr 2012 14:17:48 -0400 (EDT)
- Cc: harp-l@xxxxxxxxxx
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The tiresome thing is that the harmonica player rarely has any CONTROL over
the PA.
It is often the luck of the draw...
But fellow harmonica players, I suggest you make friends with the sound
man. They can make or break your performance.
John "Whiteboy" Walden
Just now...
In Scotland.
In a message dated 4/20/2012 7:13:06 P.M. GMT Daylight Time,
martinoldsberg@xxxxxxxxx writes:
When you´re in a jam situation going through a vocal mic and just barely
have the time to make some adjustments to a PA, the conventional wisdom, so
I have thought, for harmonica players is to set full bass, no treble and
mid to somewhere round 11 o´clock.
However, I just read that this setting could actually cause a more shrill
kind of sound than giving a bit of treble and backing down on the bass.
As usual, I have no idea -- and not very much chance to experiment; I only
know that one of the most horrible noises known to mankind under the
general caption of "music" is a harmonica with insufficient equalization. It
pains me to think that I may have unwittingly been a contributor to this kind
of environmental hazard.
Anyone with thoughts on this?
Cheers,
Martin
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