Re: [Harp-L] positions
- To: jim.alciere@xxxxxxxxx, harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] positions
- From: Winslow Yerxa <winslowyerxa@xxxxxxxxx>
- Date: Tue, 29 Mar 2011 18:06:58 -0700 (PDT)
- Cc:
- Dkim-signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=yahoo.com; s=s1024; t=1301447219; bh=sozsLHcT4+4HfQ1afsHpt2098D95Y4U+2PDn4LelJyc=; h=Message-ID:X-YMail-OSG:Received:X-Mailer:References:Date:From:Subject:To:In-Reply-To:MIME-Version:Content-Type; b=dx5TkdAvo1I4K+nsE8kgyJWxM/LfROdK7sO5N5iGqo/ZTfzsdOpsAhrfMf+PrOLAZdNBYIdLcnnhY1lLW+VtyZSmrKR5h+tihwhvm73j9kEUZm6xWMZeP0c2NOsgE+OlOWu/3kuo6HBuPOlq0lzR6Ki8bShJ1xJy2PEAXbq5EgQ=
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=Message-ID:X-YMail-OSG:Received:X-Mailer:References:Date:From:Subject:To:In-Reply-To:MIME-Version:Content-Type; b=Q9lvHV7IdaOr740GTKU4LBzXSobNjg0EcHYqtpjc+eXlABkiZYeG0fwoGMHSzTGTgUOkK1ZlH4locypQI8nsIx0XSteagR7KQGzYHsenxbp5suIGQS6PRI4tHPkmRzidjs7leDCxAavbtBk7SXFbuEv4p1N0zL1uihMbJrJOMAg=;
- In-reply-to: <AANLkTi=HeOVE-zaEGz818BJeMa2mVNtdSZjDYqaVs=4G@mail.gmail.com>
- References: <AANLkTi=HeOVE-zaEGz818BJeMa2mVNtdSZjDYqaVs=4G@mail.gmail.com>
Position has nothing to do with where you are on the harmonica physically. This
is different from violin and guitar, where the higher you go up the neck, the
higher your position regardless of what key you're in.
On harmonica, only one thing determines the position: The relationship between
the key of the harmonica and the key of the tune you're playing on it.
Winslow Yerxa
Author, Harmonica For Dummies ISBN 978-0-470-33729-5
Harmonica instructor, The Jazzschool for Music Study and Performance
Resident expert, bluesharmonica.com
Columnist, harmonicasessions.com
________________________________
From: "jim.alciere@xxxxxxxxx" <jim.alciere@xxxxxxxxx>
To: harp-l@xxxxxxxxxx
Sent: Tue, March 29, 2011 7:26:47 AM
Subject: [Harp-L] positions
I don't fully understand positions. If I play Turn on your Love Light
or Jessica in second position, I'm basically playing in the same area
and the same holes as I would if I were playing in the relative minor
in 5th so I haven't changed my position--I'm in the same spot-- just
the key. And even though it's called second position, whether I play
blues or if I play Turn on Your Lovelight, I'm not in the same
spot--I'm playing different holes. When I play harp I think in terms
of the blues scale, the Allman Brothers scale, the Dylan scale, the Jr
Wells scale, and the Little Wing scale.
--
Rainbow Jimmy
âWhat is the feeling when you're driving away from people, and they
recede on the plain till you see their specks dispersing? -it's the
too huge world vaulting us, and it's good-bye. But we lean forward to
the next crazy venture beneath the skies--Kerouac
http://www.myspace.com/theelectricstarlightspaceanimals
http://www.facebook.com/spaceanimals
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.