RE: [Harp-L] Sonny Boy I and II history question
- To: harp-l@xxxxxxxxxx
- Subject: RE: [Harp-L] Sonny Boy I and II history question
- From: Tom Ball <havaball@xxxxxxx>
- Date: Wed, 13 Jul 2011 18:18:39 -0700
- Authentication-results: cox.net; none
Although Alex Miller (SBW II) had sometimes been
called "Sonny Boy" even as a youth, by most
accounts he did not begin using the name
Williamson until around 1942 when he landed the
King Biscuit Flour Hour gig on KFFA in Helena,
Arkansas. The sponsor, Max Moore of the
Interstate Grocery Company, is usually given the
credit/blame for the name appropriation, but
Miller was obviously comfortable enough with it
to go along. At the time John Lee Williamson (SBW
I) was settled in Chicago and had been recording
for five years. His records were popular down
south, and evidently Moore and Miller were not
above a bit of skullduggery to boost ratings for
the radio show.
There is little question that John Lee (SB I) was
aware Miller was impersonating him. On December
18, 1947, in what would turn out to be his final
recording session, John Lee and Big Joe Williams
(together with Ransom Knowling on bass and Judge
Riley on drums) recorded King Biscuit Stomp for
Columbia Records. On it, Big Joe references the
town of Helena and King Biscuit Flour, and
proudly proclaims, "We're the King Biscuit Boys!"
In the film documentary Blues Story, Snooky Pryor
had the following to say: "Sonny Boy No. 2 was
broadcastin' down in Helena, Arkansas, and usin'
Sonny Boy Williamson's name. Sonny Boy No. 1 went
from Chicago down to Helena, Arkansas, and took
him off the air and stopped him from usin' his
name. And later on, the company and them, they
made a deal."
To this, blues historian Jim O'Neal adds, "Robert
Lockwood remembered this episode very well and
Houston Stackhouse told much the same story.
Snooky Pryor was adamant about it. I never
doubted that it happened, but all I have so far
is the oral history (including a version from
Sonny Boy No. 1's family.) I'm hoping to find
more solid details."
Gérard Herzhaft's Encyclopédie du Blues (Seghers
Editions, 1990) takes it a step further by
asserting that John Lee Williamson, Big Joe
Williams, and Walter Davis all supposedly armed
themselves and headed off south to get Miller.
Truth or mythical embellishment? Either way it
makes a great story. And ironically, Miller's
insistence upon the use of the name may have
inadvertently impeded his efforts to record while
John Lee Williamson was living -- Miller being
unable to secure a contract until 1951, by which
time John Lee Williamson had been murdered on the
streets of Chicago.
--Tom Ball
http://www.tomball.us
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