[Harp-L] Harrison Harmonicas



As of June 23, 2011 I have been waiting for two years for completion of my order for A & D harps. Twice I have been asked to and have made final paymenta, for those harps because they supposedly were in the final stages of production.

----- Original Message ----- From: <harp-l-request@xxxxxxxxxx>
To: <harp-l@xxxxxxxxxx>
Sent: Wednesday, July 13, 2011 3:37 AM
Subject: Harp-L Digest, Vol 95, Issue 34



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Today's Topics:


  1. Ryan Hartt Skype Lessons (Ryan Hartt)
  2. Three days left to nominate candidates for 2011 SPAH awards
     (Winslow Yerxa)
  3. Re: while on the subject of unique musical creativity....
     (dcarter@xxxxxxxxx)
  4. Re: Harrison Harmonicas (Venky Ramakrishna)
  5. Re: bluegrass at SPAH (Cara Cooke)
  6. Re: while on the subject of unique musical creativity....
     (peter lind)
  7. Re: Endorsers - FTC Rules (Rick Davis)
  8. Seydel session steel (Matthew Smart)
  9. Re: Different Approach to Amplification [Passport 250]
     (Roscoe Catania)
 10. Re: Seydel Session Steel 2 (Jacob Fund)
 11. Re: Seydel session steel (Garry)
 12. Re: Seydel Session Steel 2 (David Priestley ( for harp-L))


----------------------------------------------------------------------


Message: 1
Date: Tue, 12 Jul 2011 11:40:38 -0400
From: Ryan Hartt <rhartt1234@xxxxxxxxxxx>
Subject: [Harp-L] Ryan Hartt Skype Lessons
To: <harp-l@xxxxxxxxxx>
Message-ID: <SNT109-W65E4231989DB4EFD38000FC2440@xxxxxxx>
Content-Type: text/plain; charset="iso-8859-1"






With a desperately needed computer upgrade I am now able to offer lessons by Skype.

For those unacquainted with me... My band, Ryan Hartt & the Blue
Hearts are one of the premier Blues bands in New England. I am a three time IBC
participant, and a Hohner Endorser. Most recently I have been featured in the
last two Dennis Gruenling harmonica shows and currently at work on my third CD.
I have been teaching harmonica off and on for about 15 years. My specialties
are Blues diatonic and chromatic, particularly in the West Coast style.



Here's a close approximation of my teaching style: http://www.youtube.com/watch?v=i2grIYzis_c

Here's me and the fellas in action:
http://www.youtube.com/watch?v=A03nBrZZPW8
http://www.youtube.com/watch?v=8-dI8NwNZpM&feature=related

Ryan Hartt
http://www.ryanhartt.com/


------------------------------


Message: 2
Date: Tue, 12 Jul 2011 09:31:02 -0700 (PDT)
From: Winslow Yerxa <winslowyerxa@xxxxxxxxx>
Subject: [Harp-L] Three days left to nominate candidates for 2011 SPAH
awards
To: harp-l <harp-l@xxxxxxxxxx>, harptalk <harptalk@xxxxxxxxxxxxxxx>,
bluegrassharp <bluegrassharp@xxxxxxxxxxxxxxx>
Message-ID:
<1310488262.56724.YahooMailRC@xxxxxxxxxxxxxxxxxxxxxxxxxxxx>
Content-Type: text/plain; charset=us-ascii

Only three days left to submit nominations for SPAH Awards. Nominations are due
on Friday, July 15.


SPAH members may nominate candidates for one of three different awards:

-- Bernie Bray Harmonica Player of the Year Award

-- Pete Pedersen Lifetime Achievement Award

-- SPAH Award of Special Merit.

Each award has its own set of eligibility criteria. If you feel that a person or
organization is deserving, then download the 2011 SPAH Awards Packet, read the
criteria, and write a nominating statement showing why the candidate is
deserving, with reference to the criteria for that award. Bear in mind that the
SPAH board may be unfamiliar with your candidate, so you need to write an
informative statement.


The Awards packet is at:
http://spah.org/images/stories/convention2011/SPAH%20Award%20packet%202011-02.pdf


Please submit nominations by email to: spahawards@xxxxxxxxxx


NOTE:

- Past recipients cannot receive the same award twice. Please read lists of past
recipients before nominating.


- You don't need to use the forms or fill in all the contact information on the
forms, though we need to identify you as a member of SPAH. LIkewise, contact
information for the nominee is not required at the time of nomination.


Winslow Yerxa
SPAH Awards Committee


------------------------------


Message: 3
Date: Tue, 12 Jul 2011 12:53:43 -0400
From: dcarter@xxxxxxxxx
Subject: Re: [Harp-L] while on the subject of unique musical
creativity....
To: "The Iceman" <icemanle@xxxxxxx>, harp-l@xxxxxxxxxx
Cc: harp-l@xxxxxxxxxx
Message-ID:
<20110712165343.EDF9F1F68D5@xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx>
Content-Type: text/plain; charset="utf-8"

Thanks Iceman, that is just awesome!!! I had to put that in my fav's.

 ----- Original message -----
 From: "The Icemanâ?Z" <icemanle@xxxxxxx>
 To: harp-l@xxxxxxxxxx
 Subject: [Harp-L] while on the subject of unique musical
 creativity....
 Date: Jul 12, 2011 11:28 AM



http://www.youtube.com/watch?v=UNJswfXKJ3s


------------------------------


Message: 4
Date: Tue, 12 Jul 2011 12:55:19 -0400
From: Venky Ramakrishna <jazzyvenky@xxxxxxxxx>
Subject: Re: [Harp-L] Harrison Harmonicas
To: fsiyfr@xxxxxxxxxxxxx
Cc: harp-l@xxxxxxxxxx
Message-ID:
<CAGX2p09dUMkVk9iort=r26KC4F+EJaM9BxjeXL=SbLGF_a-czA@xxxxxxxxxxxxxx>
Content-Type: text/plain; charset=ISO-8859-1

Such a shame that they have more excuses about the business than what
they have delivered.
Venky

On 7/12/11, fsiyfr <fsiyfr@xxxxxxxxxxxxx> wrote:




They were to have moved their shop in recent months. That certainly threw
in some additional delay for the short term (though possibly a boost in the
long term).


They've run into a problem with a vendor that has recently moved the whole
schedule back some more.


I'm on the same schedule as you, fourteen months and counting. The company
does still seem to be in business...I received an email response last week.


Dan






------------------------------


Message: 9
Date: Mon, 11 Jul 2011 20:32:14 -0400
From: "Rebecca  Saletan" <saletan@xxxxxxxxxxxxx>
Subject: [Harp-L] Harrison Harmonicas
To: <harp-l@xxxxxxxxxx>
Message-ID: <7D534A5A98814E04BA0B35C69664D827@MarshallPC>
Content-Type: text/plain; charset="iso-8859-1"

Does anybody know if Harrison Harmonicas is facing any serious problems
these days. Are they, in fact, still in business?
As good as the harmonicas are--I have a C which I love--the company seems to
have major credibility problems when it comes to communication.


I've waited 14 patient months for an A and a D, and when my credit card was
charged in May,
I expected delivery within two weeks.


It's been two months and I have yet to receive them. I've mailed customer
service and am waiting on a reply,
however, it concerns me that the two phone numbers associated with the
company have been disconnected.

If anyone has any knowledge of the situation with Harrison Harmonicas, I
would appreciate the info.

Thanks,

Marshall Messer







------------------------------

Message: 5
Date: Tue, 12 Jul 2011 14:06:30 -0500
From: Cara Cooke <cyberharp@xxxxxxxxx>
Subject: Re: [Harp-L] bluegrass at SPAH
To: Peter Madcat Ruth <madcat@xxxxxxxxxxxxxxx>, Bluegrass Harp list
<bluegrassharp@xxxxxxxxxxxxxxx>, harp-l <Harp-L@xxxxxxxxxx>
Message-ID:
<CAAo+jiPUzD=NFstVCmHF8m1LT475HWc2QMDqT1xtKPXtdFkGAA@xxxxxxxxxxxxxx>
Content-Type: text/plain; charset=ISO-8859-1

I wasn't aware of the schedule for the Blues Blowoff. However, I wasn't
scheduling anything for anyone but me on Tuesday and Sunday. (I was only
letting others know what my plans would be in case they were interested.)
The jam that I thought we might try for those interested at SPAH was the
Friday jam. It is early enough for those who would like to do a bluegrass
jam and cannot stay up late, and it does not have to conflict directly with
anything but dinner and/or the evening show. I doubt those who choose to go
will be particularly numerous, so attendance at the show should not be
severely impacted. It is simply another choice (and it is still in the
figuring out stages).


See you soon.

Cara

On Mon, Jul 11, 2011 at 1:59 PM, Peter Madcat Ruth
<madcat@xxxxxxxxxxxxxxx>wrote:

Dear Cara-

I am definitely in favor of a Bluegrass jam at SPAH.

But you should be aware that the annual Blues Blowoff is scheduled for
Tuesday, August 9th. It will be hosted this year by Dennis Gruenling at a
place called:


The Jewish Mother
757-428-1515
600 Nevan Road
Virginia Beach, VA 23451

It would be best if you could schedule the bluegrass jam for a different
time

If the jam was Tuesday afternoon that would be great.

A Sunday jam would be difficult because so many people leave on Sunday.

I commend your efforts, and I look forward to seeing you at SPAH.

Peace & Joy,


Peter Madcat Ruth Musician - Grammy Award Winner madcat@xxxxxxxxxxxxxxx home phone: 734-761-8518 mobile phone: 734-678-7047 www.madcatmusic.net www.youtube.com/user/petermadcatruth

On Jul 11, 2011, at 11:49 AM, Cara Cooke wrote:

I have begun communications with a representative of the local bluegrass
association in the Virginia Beach area (Tidewater Bluegrass Association).
While I try to do this every year for the SPAH convention, most of the time
I find that the locals will be out of town to a festival and unavailable
during the convention. This year, it seems, they will all be at their home
jams -- and they have plenty of home jams throughout the week (
http://www.tidewaterbluegrass.org/jamsessions.html). If I manage it, I
will
visit a Tuesday or Sunday jam, but apparently they have a nice Friday
evening jam, too. Let me know if you are planning to go to SPAH this year
and you are interested in the local bluegrass jams. Perhaps we can
schedule
a visit.


They do have some local harmonica enthusiasts that I will encourage to
attend the convention, as well.

Cara





------------------------------

Message: 6
Date: Tue, 12 Jul 2011 18:25:38 -0400
From: peter lind <pjazz_peter@xxxxxxxxxxx>
Subject: Re: [Harp-L] while on the subject of unique musical
creativity....
To: dcarter@xxxxxxxxx
Cc: harp-l@xxxxxxxxxx, The Iceman <icemanle@xxxxxxx>
Message-ID: <1092E92F-9381-46DC-96EE-E991500D49C8@xxxxxxxxxxx>
Content-Type: text/plain; charset=UTF-8; format=flowed; delsp=yes

Man, I've been wondering what to do with the dented cover to my grill.
Now I know. Pretty great stuff.

On Jul 12, 2011, at 12:53 PM, dcarter@xxxxxxxxx wrote:

Thanks Iceman, that is just awesome!!! I had to put that in my fav's.

----- Original message -----
From: "The Icemanâ?Z" <icemanle@xxxxxxx>
To: harp-l@xxxxxxxxxx
Subject: [Harp-L] while on the subject of unique musical
creativity....
Date: Jul 12, 2011 11:28 AM



http://www.youtube.com/watch?v=UNJswfXKJ3s




------------------------------

Message: 7
Date: Tue, 12 Jul 2011 07:46:54 -0600
From: Rick Davis <bluesharpamps@xxxxxxxxx>
Subject: Re: [Harp-L] Endorsers - FTC Rules
To: Harp- L <Harp-L@xxxxxxxxxx>
Message-ID:
<CANArZ+-smKsCpiRjhSn2hG0La_CeQ6MEmqxNKirdOFzzrt0X8Q@xxxxxxxxxxxxxx>
Content-Type: text/plain; charset=ISO-8859-1

The FTC regs make it clear it is mostly the burden of the VENDOR who uses
endorsements in his advertising (including claims made on his website) to
disclose any material connection between the endorser and the vendor, and to
ensure the endorsements are true and current.


So, if Arnie the Amp Maker gives free or discounted gear to his endorsers,
that MUST be disclosed any time Arnie uses such an endorsement as an
advertisement.  Arnie is subject to liability if he fails to do this.

One harp amp maker I spoke to told me he does not reveal discounts or
freebies he gives to endorsers because other endorsers would complain about
not getting as good a deal. That amp maker is clearly in violation of the
FTC regs.


--
-Rick Davis
The Blues Harp Amps Blog
http://www.bluesharpamps.blogspot.com/



On Tue, Jul 12, 2011 at 5:37 AM, Bill Kumpe <bkumpe@xxxxxxx> wrote:

Late in 2009, the FTC changed the interpretation of existing rules
concerning endorsers.  The FTC release in full can be found here:
http://www.ftc.gov/opa/2009/10/endortest.shtm



So, if Harry the Harp King gets free harps or a big discount on his gear
from Hasenfeffer harps, he has to disclose that relationship.  And, if a
blogger like me gets a free harp or set of strings and then writes an
online
review, that transaction must be disclosed as well.





------------------------------

Message: 8
Date: Tue, 12 Jul 2011 12:56:36 -0400
From: Matthew Smart <matthewsmart@xxxxxxxxx>
Subject: [Harp-L] Seydel session steel
To: harp-l@xxxxxxxxxx
Message-ID: <FBF967EE-76BE-48D4-94B6-F373B9AAA037@xxxxxxxxx>
Content-Type: text/plain; charset=us-ascii

As it was explained to me, the seydel session steel is basically the 1847 silver + with an orange comb. I ordered a low Eb session steel and was disappointed with it's playability until I switched out the comb. For 60 bucks it's a great deal. I sell replacement session combs here www.harmonicacombs.com in 16 flavors ;)

Sent from my iPhone


------------------------------


Message: 9
Date: Tue, 12 Jul 2011 18:05:22 -0400
From: Roscoe Catania <rjcataniajr@xxxxxxxxx>
Subject: Re: [Harp-L] Different Approach to Amplification [Passport
250]
To: harp-l@xxxxxxxxxx
Message-ID:
<CA+wXwEMEA0L-X+Du5qPZSxSN+-AfyrRw5JnjROwDg=PE6GVJnA@xxxxxxxxxxxxxx>
Content-Type: text/plain; charset=ISO-8859-1




check this site out you can never have enough blues jam tracks, right?

www.probluesjamtracks.com/

roscoe
(with an "e")


------------------------------


Message: 10
Date: Wed, 13 Jul 2011 10:54:57 +0900
From: Jacob Fund <jeikuman@xxxxxxxxx>
Subject: Re: [Harp-L] Seydel Session Steel 2
To: harp-l@xxxxxxxxxx
Message-ID:
<CAHYSSLVrrEXHNOTbQ5XkFKEi2ksB=LdfuD9_bJD_J9a=sc-ZoA@xxxxxxxxxxxxxx>
Content-Type: text/plain; charset=ISO-8859-1

I`ve got a Session Steel in Low F that I bought last week. I haven`t heard
the low reeds click against the cover plates so thats good. I could
overblow the 6 hole out of the box but I get a lot of squealing, probably
has something to do with stainless steel reeds. (Maybe?) Whatever, I am sick
and tired of buying new harps, and since B-rads are kinda out of the
question. if it`s true what they say, then 5 times longer lasting reeds is
worth it to me if I add a little wax to stop the squealing sound and mod the
harp for OB. If I can overblow on it with ease I`ll start buying more of
these. although its not as responsive as my 1847 classic maybe I`ll go that
route.


The comb certainly sticks out. Why did they choose orange? I think it would
fit very well if I was a construction worker and would play harmonica on my
breaks. or maybe if I played basketball while a racked a harmonica. Yep,
Harlem Globetrotters should start working on their harp technique.


On Tue, Jul 12, 2011 at 2:16 PM, Dennis Michael Montgomery <
gaulay2@xxxxxxxxx> wrote:

I have been buying and playing Bluesmasters since 2006 and haven't had one
reed go bad on me. I like Bluesmasters so much that I have bought all 12
keys. The only harp that I really like more is the Suzuki Promaster Valved.


I have a few non-steel Blues Sessions, they are ok, but I am not crazy
about them.

Dennis Montgomery






--- On Mon, 7/11/11, Michael Simmons <trikkemike@xxxxxxxxx> wrote:



From: Michael Simmons <trikkemike@xxxxxxxxx> Subject: [Harp-L] Seydel Session Steel 2 To: harp-l@xxxxxxxxxx Date: Monday, July 11, 2011, 8:45 PM


OK so the reason why I asked about the session steel. I'm looking to buy my
first set of higher end harmonicas. I'm at a quandry between the Seydel's
Session Steels and Suzuki Promasters.


So I ordered one of each in C. They both are beautiful although the orange
comb is different.


I like both. The Suzuki is easy to play. The Seydel is very comfortable in
the hand. Those stainless steel reeds seem like the would last longer. What
has me a little concerned about the Seydels is that I find it more
difficult
to blow and draw on. In fact, I even felt myself struggling for air.


Am I spoiled by Lee Oscars? Am I'm just to much of a beginner? Will those
reeds break in more and ease my labored troubles?

So once again I call on the knowledge of you folks. I look forward to your
input.


Thanks Mike



------------------------------

Message: 11
Date: Tue, 12 Jul 2011 22:11:59 -0400
From: Garry <harp@xxxxxxxxxxx>
Subject: Re: [Harp-L] Seydel session steel
To: harp-l@xxxxxxxxxx
Message-ID: <4E1CFEEF.3060501@xxxxxxxxxxx>
Content-Type: text/plain; charset=ISO-8859-1; format=flowed

On 07/12/2011 12:56 PM, Matthew Smart wrote:
As it was explained to me, the seydel session steel is basically the 1847 silver + with an orange comb.

the 1847's have different cover plates.


--
We make a living from what we get,
but we make a life from what we give.
- Kathy Moser




------------------------------


Message: 12
Date: Wed, 13 Jul 2011 09:03:38 +0100
From: "David Priestley ( for harp-L)" <dmharpman@xxxxxxxxx>
Subject: Re: [Harp-L] Seydel Session Steel 2
To: Jacob Fund <jeikuman@xxxxxxxxx>
Cc: harp-l harp-l <harp-l@xxxxxxxxxx>
Message-ID: <4E1D515A.4070608@xxxxxxxxx>
Content-Type: text/plain; charset=ISO-8859-1; format=flowed


Hi Jacob, I'm glad you've found an axe you like.

How ever I feel I mast ask what are you saying about construction
workers and basketball players? ;-)
These fine upstanding citizens number  amongst some of my most trying
students.

One should take care, after all, we all live in 'constructed' houses n'
stone throwing should always be discouraged.

How ever I am in agreement with you on the idea that time spent in
working on technique is time well spent.

All the best
On 13/07/2011 02:54, Jacob Fund wrote:
I`ve got a Session Steel in Low F that I bought last week. I haven`t heard
the low reeds click against the cover plates so thats good. I could
overblow the 6 hole out of the box but I get a lot of squealing, probably
has something to do with stainless steel reeds. (Maybe?) Whatever, I am sick
and tired of buying new harps, and since B-rads are kinda out of the
question. if it`s true what they say, then 5 times longer lasting reeds is
worth it to me if I add a little wax to stop the squealing sound and mod the
harp for OB. If I can overblow on it with ease I`ll start buying more of
these. although its not as responsive as my 1847 classic maybe I`ll go that
route.


The comb certainly sticks out. Why did they choose orange? I think it would
fit very well if I was a construction worker and would play harmonica on my
breaks. or maybe if I played basketball while a racked a harmonica. Yep,
Harlem Globetrotters should start working on their harp technique.


On Tue, Jul 12, 2011 at 2:16 PM, Dennis Michael Montgomery<
gaulay2@xxxxxxxxx>  wrote:

I have been buying and playing Bluesmasters since 2006 and haven't had one
reed go bad on me. I like Bluesmasters so much that I have bought all 12
keys. The only harp that I really like more is the Suzuki Promaster Valved.


I have a few non-steel Blues Sessions, they are ok, but I am not crazy
about them.

Dennis Montgomery






--- On Mon, 7/11/11, Michael Simmons<trikkemike@xxxxxxxxx> wrote:



From: Michael Simmons<trikkemike@xxxxxxxxx> Subject: [Harp-L] Seydel Session Steel 2 To: harp-l@xxxxxxxxxx Date: Monday, July 11, 2011, 8:45 PM


OK so the reason why I asked about the session steel. I'm looking to buy my
first set of higher end harmonicas. I'm at a quandry between the Seydel's
Session Steels and Suzuki Promasters.


So I ordered one of each in C. They both are beautiful although the orange
comb is different.


I like both. The Suzuki is easy to play. The Seydel is very comfortable in
the hand. Those stainless steel reeds seem like the would last longer. What
has me a little concerned about the Seydels is that I find it more
difficult
to blow and draw on. In fact, I even felt myself struggling for air.


Am I spoiled by Lee Oscars? Am I'm just to much of a beginner? Will those
reeds break in more and ease my labored troubles?


So once again I call on the knowledge of you folks. I look forward to your
input.


Thanks Mike


-- D Priestley AKA Dr Midnight. England's first harmonica Guru.

Do feel free get in touch.
Harmonica lessons POA,(10 = 20% discount,&  20 = 25% discount).

I teach from: 51 Barkston Gdns, the basement flat&  On-Line,
Email me or call me to book lessons or get more info.

E-mail= dmharpman@xxxxxxxxx
Website= http://www.cognitionarts.com/
Phone=(44) 0207 373 0295



End of Harp-L Digest, Vol 95, Issue 34
**************************************


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