[Harp-L] Bluegrass: thoughts and observations
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- Subject: [Harp-L] Bluegrass: thoughts and observations
- From: Tony Eyers <tony@xxxxxxxxxxxxx>
- Date: Tue, 25 Jan 2011 10:14:17 -0800
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I play a lot of bluegrass, so I'll weigh in. Like all genres, bluegrass
has a hierarchy, people playing brilliantly, others getting by, others
starting out. The difference with bluegrass is that all the players
stand around and pick (play) in informal group settings, partly due to
the portability of acoustic instruments. So, an inexperienced harmonica
player can walk up to a session of seasoned bluegrass pros, pull out an
instrument and start up.
And wreck it.
A bit like walking on to a stage unannounced, and joining in with a top
class blues band. Bluegrass is a demanding genre. The good players have
worked very hard to become good. Harmonica players can be included, the
instrument does fit well, both for fiddle tunes and the singing. If you
play well, then you will be welcomed by the good players.
How do you get there? Easy. And hard. Go to a bluegrass festival or two.
Listen to the good players, but resist the temptation to join in. Then
seek out the beginners. There are plenty, getting together their
versions of "Old Joe Clark" and "Red Wing". Learn a few of the tunes
(Steve Kaufmans 4 hour bluegrass workout from Homespun Tapes is a great
source). I have an online course which outlines techniques for 1st
position bluegrass tune playing. It's a long journey to become good,
bluegrass is like anything else. However, bluegrass festivals are an
excellent chance to find your peers, much more so than blues jams.
There are some great bluegrass harmonica players about, some on the
list. Cara Cooke, Trip Henderson, David Naidich (chromatic, with a great
new CD out). Check them out. Get to a festival. It might just be your thing.
Tony Eyers
Australia
www.HarmonicaAcademy.com
...everyone plays
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