Re: [Harp-L] Bluegrass
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] Bluegrass
- From: Winslow Yerxa <winslowyerxa@xxxxxxxxx>
- Date: Mon, 24 Jan 2011 08:00:35 -0800 (PST)
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Celtic musicians can likewise look with a severe eye on beginners joining in at
expert sessions.
Which is why slow sessions exist. People new to the music and/or new to their
instrument can get together with others at the same level (and perhaps a patient
accompanist) and learn the tunes at a manageable tempo. This gives them a
welcoming environment to develop the tune knowledge and chops to eventually join
in at the expert sessions.
Winslow
Winslow Yerxa
Author, Harmonica For Dummies ISBN 978-0-470-33729-5
Harmonica instructor, The Jazzschool for Music Study and Performance
Resident expert, bluesharmonica.com
Columnist, harmonicasessions.com
________________________________
From: MANFRED WEWERS <mwewers@xxxxxxxxxx>
To: harp-l@xxxxxxxxxx
Sent: Sun, January 23, 2011 3:23:39 PM
Subject: [Harp-L] Bluegrass
I am a harmonica player and no genre of music is sacred. I'm not a pro, I play
for fun. This bluegrass thing is beginning to sound "elitist" to me. Because I
learn by sitting in, I'm not supposed to play because I don't know everything.
If that attitude prevailed in all other genres, there would be a lot less people
playing harp out there. Just my opinion.
Manfred Wewers from Toronto the Good.
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