[Harp-L] Re: Toots' rhythm
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] Re: Toots' rhythm
- From: Richard Hunter <turtlehill@xxxxxxxxxxxxx>
- Date: Sat, 26 Feb 2011 09:06:34 -0800 (GMT-08:00)
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=dk20050327; d=earthlink.net; b=hVG55woXQWska92aBUV7VNZhKl9nnov7fb+nAjPQsXfdgxUUHSYx1cFSv9AXC2fg; h=Message-ID:Date:From:Reply-To:To:Subject:Mime-Version:Content-Type:Content-Transfer-Encoding:X-Mailer:X-ELNK-Trace:X-Originating-IP;
- Reply-to: Richard Hunter <turtlehill@xxxxxxxxxxxxx>
A poster wrote re: Wim Djikgraf's recent transcriptions of Thielemans solos:
> I took a look at your transcription. Are these rhythmically intricate
> phrases typical in Toot's playing?
The answer is yes. Toots's rhythms are complex. He was heavily influenced by John Coltrane, who uses lots of non-symmetrical phrases, and you can hear that influence all over Toots's work from the 1960s on.
When I notated Toots's solo on the Fabulous Rhinestones's "What Becomes of Your Life" for my book "Jazz Harp", it took hours of careful listening to get those rhythms right. And that's a relatively short, simple Thielemans solo.
All this by way of saying that Wim is handing out a big gift here with his careful transcriptions, and harp players are well advised to accept the gift.
Regards, Richard Hunter
author, "Jazz Harp"
latest mp3s and harmonica blog at http://hunterharp.com
Myspace http://myspace.com/richardhunterharp
Vids at http://www.youtube.com/user/lightninrick
more mp3s at http://taxi.com/rhunter
Twitter: lightninrick
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.