Re: [Harp-L] 3rds and 7ths in All The Things You Are (effortless jazz harmonica)

[michael rubin <michaelrubinharmonica@xxxxxxxxx>]

What about minor third, flatted minor seventh as in a Fully diminished
chord?  Is that seventh not in this family because you can also think
of it as a sixth?
Michael Rubin
Michaelrubinharmonica.com

On Wed, Feb 16, 2011 at 10:17 AM, The Iceman <icemanle@xxxxxxx> wrote:
> The 3rd and 7th scale degrees are the most important notes outlining the chord. There are 4 permutations and anyone interested in furthering their music knowledge may start here to begin a solid understanding of chord theory.
>
>
> major 3rd major 7th    Major 7th chord
> minor 3rd major 7th    Minor/Major 7th chord (not used as much as the others)
> minor 3rd minor 7th    Minor 7th chord
> major 3rd minor 7th    Dominant 7th chord
>
>
>
>
> keyboard players need only play these 2 notes to define the chord. The tonic and fifth are not necessary.
>
>
> It is good to begin here before starting to tackle sus chords and other more "hip" voicings, etc.
>
>
>
>
>
> -----Original Message-----
> From: Wim Dijkgraaf <w.dijkgraaf@xxxxxx>
> To: harp-l <harp-l@xxxxxxxxxx>
> Sent: Wed, Feb 16, 2011 5:37 am
> Subject: [Harp-L] 3rds and 7ths in All The Things You Are (effortless jazz harmonica)
>
>
> Hi (jazz) harmonica "students",
>
> I just added some sheet music for you to make it more easy to learn the 3rds and
> 7ths.
>
> You'll find the page at: http://www.effortlessharmonica.com/blog/tunes/jazz-standards/all-the-things-you-are/
>
> It's a 3 page .pdf file for you to download:
> - page 1: chord symbols with 3rds only
> - page 2: chord symbols with 7ths only
> - page 3: chords symbols with 3rds and 7ths to show you how these chord tones
> resolve from one bar to the next
>
> Have fun with it,
>
> Wim
>
>
>
>