Re: [Harp-L] tab question
- To: "Tony Eyers" <tony@xxxxxxxxxxxxx>, <harp-l@xxxxxxxxxx>
- Subject: Re: [Harp-L] tab question
- From: "Doug H" <dough.harpl@xxxxxxxxx>
- Date: Sun, 6 Feb 2011 20:43:16 -0700
- Cc:
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- References: <4D506CFD.8080907@tektel.com.au>
No, my asking of this question is totally unrelated to the 'reading music' thread. It is simply and exactly as I presented it - a quest to find any examples of tab that indicates double stops, etc. Rather than invent my own method I am more than willing to use an existing system if there is one. All help appreciated.
I have no ill will toward those who want to discuss reading music, but please post under that heading so my post won't get lost in the shuffle. Thanks.
Doug H
----- Original Message -----
From: Tony Eyers
To: harp-l@xxxxxxxxxx
Sent: Monday, February 07, 2011 3:06 PM
Subject: [Harp-L] tab question
This thread seems to follow on from the Reading Music one. These threads
come up regularly, sometimes with a little heat.
Here is my take. I read music quite well - for baroque recorder. I play
in a professional baroque ensemble, rehearsing and performing without
music is out of the question. I hardly read at all for harmonica, over
the years many of the elite players I've met are likewise. I wrote the
following in one of my tremolo harmonica lessons (apologies in advance
for quoting myself)
"The ability to read scores is useful, but not essential. Many excellent
players cannot read scores at all, or at best, only slowly. The scores
in these lessons are an efficient way to show the notes and the rhythm.
But, the aim is to play music. As soon as possible, learn the tunes,
ignore the scores and just play."
If reading music is the shortest path to playing it, the case for
classical (and baroque) performers, then learn to read. Otherwise, just
play.
Tony Eyers
Australia
www.HarmonicaAcademy.com
...everyone plays
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