Re: [Harp-L] Cristo Redentor (was: Politics and Blues Harp)
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] Cristo Redentor (was: Politics and Blues Harp)
- From: Richard Hunter <turtlehill@xxxxxxxxxxxxx>
- Date: Fri, 16 Dec 2011 09:57:03 -0500 (GMT-05:00)
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=dk20050327; d=earthlink.net; b=WAWUhr4n2MXiA3Z6NiaXILQRqL8NOOFe7i9yhgXydQxqe5af6z7T0z4D+GVJYfiH; h=Message-ID:Date:From:Reply-To:To:Subject:Mime-Version:Content-Type:Content-Transfer-Encoding:X-Mailer:X-ELNK-Trace:X-Originating-IP;
- Reply-to: Richard Hunter <turtlehill@xxxxxxxxxxxxx>
46long Blake wrote:
>>> Insurance harp-content opinion palate-cleanser: Musselwhite's "Christo
>> Redentor' off of "Tennessee Woman" is the greatest harp-centered
>> composition ever. There.
To which arthur jenning repied:
>I can fight over that: it isn't a harp-centered composition at all. It was
>written by piano player Duke Pearson and first recorded by trumpeer Donald
Arthur's right. but you might argue that the Mussewhite performance is the greatest harp-centered PERFORMANCE ever. It's the one that changed my life, that's for sure.
Regards, Richard Hunter
author, "Jazz Harp"
latest mp3s and harmonica blog at http://hunterharp.com
Vids at http://www.youtube.com/user/lightninrick
more mp3s at http://taxi.com/rhunter
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and