Re: [Harp-L] Hubert Sumlin and who is left from the Golden Era of Chicago Blues?
- To: Mick Zaklan <mzaklan@xxxxxxxxx>
- Subject: Re: [Harp-L] Hubert Sumlin and who is left from the Golden Era of Chicago Blues?
- From: michael rubin <michaelrubinharmonica@xxxxxxxxx>
- Date: Tue, 6 Dec 2011 17:16:32 -0600
- Cc: harp-l@xxxxxxxxxx
- Dkim-signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=mime-version:date:message-id:subject:from:to:cc:content-type :content-transfer-encoding; bh=dtwsi+2xBVHX7eIP874uTLz3yOSJTsj/NQg2BnMpalE=; b=xFHWzPbrM2ZH9bGNT0/fGVDiW/hHx8AL7urAG3C3LcLsxCoQj3fP3PQ+ctuefx02yx kWHGypMWvc73Dphl1c7fA+clk+Bo9o+203/AjlgtmEbPUD/tU15/J2KaEivDlWBThL+w cyA3vaR6otjLBBRi6w0kcMXNGkQXgyrBc9dgQ=
Saw him more times than I can count. I love how he would leave notes
out of the middle of his famous licks and my ear would fill them in
anyway. He always had a big smile.
Who else is left from the Golden Chicago Blues era? Cotton,
Musselwhite, Guy, Portnoy, Oscher, Bishop, Naftalin (is he still
alive?), Margolin. I know Piazza's first album came out around the
same year as Musselwhite's, but I do not associate him with that
group. Who else?
On Tue, Dec 6, 2011 at 4:53 PM, Mick Zaklan <mzaklan@xxxxxxxxx> wrote:
> A little surprised no one mentioned the passing of bluesman Hubert
> Sumlin a couple of days ago. Best known for his work with Howlin' Wolf,
> Hubert probably worked with a lot of harp players throughout the country
> over the years. Hopefully, some will write in with remembrances.
> When I was first starting out, I was fortunate enough to play a dozen
> gigs with the great blues mandolinist Johnny Young. I wasn't much of a
> player back then but, since I booked the gigs, I made myself the harp
> player. We always used pick-up musicians, many of whom came out of
> Johnny's extensive address book. I often never knew who I'd be sharing
> the bandstand with until I picked Johnny up at his house. One night we
> were playing a high school dance and following us to the job were the great
> blues drummer S.P. Leary and the guitar genius Hubert Sumlin. They took
> the job on short notice and informed me that they had to get up early the
> next day to drive to the East Coast with Howlin' Wolf. They had a gig at
> "the Boston Philharmonica."
> It was an extraordinary evening and Hubert was just reeling off
> one burning solo after another. For a gymnasium full of sixteen
> year-olds. On break, we had a chance to chat and I quickly realized that
> this was a extremely gentle, warm human being. I still don't know where
> those incendiary, nasty guitar solos came from. They didn't seem to fit
> Hubert's personality. Just a goofy, brilliant guy with a whole different
> way of playing blues guitar. I will miss him.
>
> Mick Zaklan
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.