[Harp-L] Re: Wonderful Internet
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] Re: Wonderful Internet
- From: Mikael Bäckman <harp@xxxxxxxxxxxxxxx>
- Date: Mon, 11 Oct 2010 08:45:21 +0200
- In-reply-to: <201010110351.o9B3pgjI015966@harp-l.com>
- References: <201010110351.o9B3pgjI015966@harp-l.com>
Interesting topic!
Buddy Greene is without doubt a wonderful harmonica player, when
playing country / bluegrass stuff, he is simply great, one of my
favourites. But I can see Mr Bonfiglio's point here, if you judge
this by classical standards, it is not well played.
Many of us on this list have not listened to classical music enough to
hear the difference, but there is so much involved in playing a melody
really well, so much detail that needs attention. Something that takes
many years to perfect, which Bonfiglio has done.
If you have listened alot to blues-harp, then you can probably hear
and appreciate the nuances involved in, say, Little Walters playing.
It's not just the notes, it's how he approaches the notes. Lots of
tongue-slaps that are barely heard, but it wouldn't be the same
without them. If someone were to play Juke with all the right notes,
but no tongue-blocking techniques, it might sound great to someone who
can't hear them anyway, but to the rest of us, it would sound like
someone missing the point. Playing blues scale notes but lacking the
tone and sound which is so important in blues.
I have personally enjoyed listening to Buddy Greene playing Carnegie
Hall, just looking at how happy he is makes my day! (And he plays this
much better than I could have...)
However, I think Bonfiglio has earned the right to critizie the
performance for what it is; someone playing Bach in Carnegie Hall.
Just my 50 ore!
/ Mikael Backman
Mikael Bäckman
harp@xxxxxxxxxxxxxxx
Floragatan 8
941 51 Pitea
Sweden
harp@xxxxxxxxxxxxxxx
http://www.myspace.com/johnhenrytrio
http://www.weinzatwork.com
http://ramblinminds.com/
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