[Harp-L] Vmi7
- To: harp-l <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] Vmi7
- From: michael rubin <michaelrubinharmonica@xxxxxxxxx>
- Date: Fri, 8 Oct 2010 11:26:01 -0500
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I was reading some jazz bass lines in a Rufus Reid book and he had a
blues progression that started out with 2 bars of the I chord and then
the third bar was a Vmi7, returning to the I7 chord for the fourth
bar. I have never seen this before. First, everytime I see a
substitution for the I chord during the first four bars of a blues it
is during the second chord. Next the V chord is not dominant, it is a
mi7. Any clues as to why this works and if it is common in jazz
blues?
Thanks,
Michael Rubin
MIchaelrubinharmonica.com
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