[Harp-L] Re: Similarities between harp and anglo concertina
- To: Harry Thomas <greencottage@xxxxxxx>
- Subject: [Harp-L] Re: Similarities between harp and anglo concertina
- From: Richard Hammersley <rhhammersley@xxxxxxxxxxxxxx>
- Date: Mon, 15 Nov 2010 13:00:59 +0000
- Cc: Harp-L Org <harp-l@xxxxxxxxxx>
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Dear Harry
I have now had the concertina long enough to make some comments. Mine
is a Crucanelli and cost about £425 (there was a bit of haggling). I
played a few before choosing that one. Anything costing much less than
that is unplayable. The Crucanelli is made by an Italian Accordian
maker and I believe that there are now a number of such models - with
various names - that may be fine. They are relatively cheap because
they use accordian reeds rather than concertina reeds. Not being a
concertina devotee as yet, it sounds fine to me and it is possible to
play at speed without the buttons sticking, which is generally the
problem with cheaper ones. Hobgoblin music do similar mid-price
Italian models and have a USA site.
It is a 30 note Anglo in C and G. This is like having two diatonic
harmonicas in parallel, with a row of accidentals. Like harmonicas,
the rows are tuned so that all the push (blow) notes give the chord
notes of C or G, but the tuning is not Richter. For instance the C
row is tuned CGCEGCEFCE on the push and GBDFABDFAB on the pull. With
the accidental note row, the middle two octaves are fully chromatic,
the lowest and highest octave are not.
In terms of transfer from diatonic harmonica: What sounds good in
terms of timbre and dynamics of playing is similar and there are
commonalities of free reed sound. You can't bend etc. though. The
fingering is nothing like harmonica really. It is possible to play
'like' a harmonica and go up and down the row in the key of C or G.
This sounds OK, but concertina players are sniffy about this as lazy
technique and when I try that I want to play harmonica instead, which
is far better suited to this treatment. Playing across the rows you
can (a) play many more chords than on a harmonica and (b) play very
fast runs using all push or all pull notes (this feels a bit like
cat's cradle in the fingers). I find this kind of fingering has more
transfer from the guitar than the harmonica as you need to imagine
which finger needs to go where.
So in terms of transfer from harp: Push-pull is good, relatively small
and portable is good. You could sing and play at the same time (once
your brain had settled down to the challenges of concertina that is).
I see it as an enjoyable extension. Also, if you think harmonica is a
minority instrument, try searching for concertina on youtube!
I'm not planning to learn loads of folk tunes but more work on blues/
jazz on it. There seems to be zero information about this.
Richard
On 27 Aug 2010, at 15:02, Harry Thomas wrote:
Richard,
I'd be very interested in what you learn. I've window-shopped for
concertinas for years, wondering if my harp playing would give me a
leg up, but I could tell that the cheap ones wouldn't be rewarding
to play. If you don't mind discussing money, what did you end up
buying and how much did it cost you? As a rule Concertinas aren't
very common in music stores in U.S.A; usually it's a low-budget
Hohner with layer of dust on it, and they have to hunt for it, and
nobody in the store has a clue about how they're played or tuned. I
have a friend here who plays and he recently went to Scotland to buy
a very good one, but it cost more than the trip.
Regards,
Harry
On Aug 26, 2010, at 11:41 PM, harp-l-request@xxxxxxxxxx wrote:
Message: 10
Date: Thu, 26 Aug 2010 22:53:56 +0000
From: "Richard Hammersley" <rhhammersley@xxxxxxxxxxxxxx>
Subject: [Harp-L] Similarities between harp and anglo concertina
To: harp-l@xxxxxxxxxx
Message-ID:
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About seven years ago I had the idea that the anglo concertina is
kind of like two parallel diatonic harmonicas (usually in C and G,
plus a row of accidentals), so I bought a cheap one to expand my
free reed skills. Why not learn one instrument properly shout the
neighbours? Cos I like to mess about with new things. Cos my hay
fever makes harp difficult two months of the year. Anyway, the
initial box was unplayable. I've just bought a better one with
buttons that work. Anyone have experience of playing anglo
concertina and harmonica, and have anything interesting to report?
Anyone interested in hearing in due course how I get on and whether
harp skills are useful on anglo concertina? If there is interest I
may give occasional reports.
Richard
Richard Hammersley
Grantshouse
Scottish Borders
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