[Harp-L] Re: Cm6/D6 diatonic harmonica tuning
- To: harp-l <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] Re: Cm6/D6 diatonic harmonica tuning
- From: Gary Lehmann <gnarlyheman@xxxxxxxxx>
- Date: Sat, 29 May 2010 22:26:08 -0700
- Dkim-signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:received:received:in-reply-to :references:date:message-id:subject:from:to:content-type; bh=4S24Wjagt8cPnSSqK8bX2q7l+GTDl3uuIUCg4CPo1AU=; b=krzOFeXNf6rGDwFQ3/DXIPH6OLJQqjg8dMrsUxBJQD4Aw2+hcOMqXQGxrqA9s2wHbq dweeG4MylpTK5qsxMQwB6U5uXq7ToPJ0EjKyDKIEGL3d2fy8Gjme+WXxNpGagj0Kgwlp Y2evpBeobtD12h/zMZDpMYVuoPtaanrKdsVTA=
- Domainkey-signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type; b=j8bXvp6Cgp8aLsGmnzKo6lWeksduc4SC1zw3aj0JfXSLmJ+bTFN31RhO9O49ceJY2h gJZBFWTgDp+1+0wW/VPbgpjiA+P4oOdahuPQl/DCZ0+F4kL3Mk4SgJ4vzpfSPIu15z3T nYcZT0hOi2Jzk1OO5JEmKOHRKZXZVvY10CWlw=
- In-reply-to: <AANLkTinqLYO22S_aaKhyI9GAhiCNqfJ9TDJkaX5KIXp4@mail.gmail.com>
- References: <AANLkTinqLYO22S_aaKhyI9GAhiCNqfJ9TDJkaX5KIXp4@mail.gmail.com>
I posted a couple of days ago about this Cm6/D6 tuning I dreamed up--
After posting to this list and making a video for YouTube, I realized it was
a variation on Magic Dick's Magic Bop Band, a tuning I have made in all 12
keys (and more--I probably have 20 harps tuned to that, not to mention the
chromatic slide versions).
Tonight I spent a few minutes with it again, and it really is a convenient
way to be able to play in all 12 keys without overblows--try playing along
with the TV sometime . . .
But what is really cool is the blue third in cross harp--think of this as
D7, the Eb on hole allows for a large bend on hole 2, yer blue note . . .
You don't get that big bend on Magic Bop (you do of course on Richter--I
find third position even better for that--hole 2 draw).
The G notes are easy to get too. G is blow, B and D are draw.
The A chord can pose problems, as the E must be created with a draw bend
(the C# too), but heck, for blues, watta ya want for nothing, rubber biscuit
. . .
The C note (b7 for the D) is a blow note, right next to the Eb--that *IS *an
avoid note, but that diad is a minor third interval, always pleasing (!) and
over the D chord would be the b7 and b9--call it jazz and play it twice if
you mess up.
Just more notes on a cool tuning for anyone interested in a variation--sure
enough, I didn't invent this one, it's based on someone else's tuning.
Gary
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.