Re: [Harp-L] Bent note on Amazing Grace
- To: harp-l@xxxxxxxxxx, Philharpn@xxxxxxx
- Subject: Re: [Harp-L] Bent note on Amazing Grace
- From: Ken Hildebrand <airmojoken@xxxxxxxxx>
- Date: Mon, 3 May 2010 17:24:57 -0700 (PDT)
- Cc:
- Dkim-signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=yahoo.com; s=s1024; t=1272932697; bh=OdBCInMm149LwbS0QN3M0Xpddxp0ZD13kNRoJ3otYlw=; h=Message-ID:X-YMail-OSG:Received:X-Mailer:Date:From:Subject:To:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding; b=n7yMLdkoawr+NpsvoI6+SoABzYEdlK4clmb5vD4FUuq9JehwuRLSc02+AK+k91wxSBldwJu/gX9D2yBEbsaj+LlEhNhykpytt15v1iZKg4VhtNVExiLScFJmUuxDEC8IJ5ZXCSKzIv1vrAmI3zvn7pB0GcY+loKnSj2jy2CIy1Q=
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=Message-ID:X-YMail-OSG:Received:X-Mailer:Date:From:Subject:To:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding; b=2sWKhFDsndiIfhiZhovBckdu96SK6c3jDoSIxabQFGWFmXvdw32XdpT5ry2OZFaYXJpOAzwfMfsLsbSHLHTdwaR9q1c6mX/ZWNnj82TD2ML6YqHe6/Ef0+5ENUPhiLE07XpI4uwMS0ZyXl8MAo7c6o8dQQEXYGuAuca2UyL2C+I=;
- In-reply-to: <15d72.5dd0aab8.39104841@aol.com>
I use the 3 draw/inhale full-step bend (3D'') alot on Amazing Grace... don't need to if you play a Paddy Richter tuned harp... but I like the emotion you can get with the regular 3 draw/inhale full-step bend.
And I use all the holes except maybe hole 10, in 2nd position, starting on 1 draw/inhale... 1D 2D 3D 3D'' 2D 3D 3D 3D'' 2D 2B 1D, etc...
Ken H in OH
--- On Mon, 5/3/10, Philharpn@xxxxxxx <Philharpn@xxxxxxx> wrote:
> From: Philharpn@xxxxxxx <Philharpn@xxxxxxx>
> Subject: [Harp-L] Bent note on Amazing Grace
> To: harp-l@xxxxxxxxxx
> Date: Monday, May 3, 2010, 8:39 AM
> Where is the bent note(s) in Amazing
> Grace?
>
> The topic came up during a discussion at Buckeye.
>
> I've been playing Amazing Grace for
> years on a C harp in the keys of C, G
> and F (1st, 2nd 12th positions) and have always found it
> easy to teach
> beginners. It works in the keys of G and F because
> pentatonic based hymn does
> not use the 4th note of the scale (F# in key of G) and (Bb
> in key of F).
>
> I didn't remember where I originally found the tune (based
> on the hymn/form
> New Britain) so I searched through my print archives and on
> the web --
> finding noting different from what I already had. [A jazz
> guitar version has
> some accidentals (sharps/flats) but that is to be expected
> with jazz.]
>
> Phil
>
>
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.